Cracker-Series 2 (1993)

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General		Extras
Category	Drama	Main Menu Audio & Animation
Rating
Year Of Production	1993
Running Time	444:19 (Case: 457)
RSDL / Flipper	Dual Layered Multi Disc Set (3)	Cast & Crew
Start Up	Menu
Region Coding	2,4	Directed By	Jean Stewart Tim Fywell Julian Jarrold
Studio Distributor	Time Life Video & TV Shock Entertainment	Starring	Robbie Coltrane Geraldine Somerville Barbara Flynn Kieran O'Brien Tess Thomson Lorcan Cranitch Ricky Tomlinson Edward Peel Wil Johnson Christopher Eccleston
Case	Amaray-Transparent-Secure Clip
RPI	$39.95	Music	David Ferguson Julian Wastall Rick Wentworth

    Originally released a couple of years ago as a mega ten-disc box set featuring all of the Cracker episodes made to that date (a new 11th Cracker episode premiered in 2006, but is yet to find its way to DVD), this sensationally written, directed and acted drama series starring the larger-than-life Robbie Coltrane has been re-released as separate titles for each of the three series. Series One contained the first of the Cracker episodes from 1993 and now Series Two features episodes four to six of the original ten. These were originally shown on television back in 1995.

    For those not familiar with Cracker or if you haven't read the earlier review of the ten-disc set, here is a summary of the overall story plus a brief synopsis of the three episodes in this set.

   Cracker is a realistic and gritty drama series featuring some of the most intricately developed and well-written characters you are ever likely to see. While this is essentially a crime thriller series that contains a dominant police angle on all of the stories, it is so much more than a simple case of police catching the bad guys. It's the way the stories are tackled, the flaws that all the characters possess, the levels to which their personal lives are dissected without resorting to soap opera style melodrama and the cracking pace at which it unfolds that put it clearly ahead of almost all other police/crime series. Topics are handled that are often overlooked by other dramas for fear of upsetting people, but for Cracker writers Jimmy McGovern and Paul Abbot (the latter penned the last three episodes in 1996) these taboo topics all offered plenty of emotional material and a chance to really flesh out the characters in all their good and bad forms. No bastion of respectability was safe, with the church and religious groups copping a fair hammering, and the sensationalist media mentality, workplace sexual harassment and male chauvinism, rape, prostitution, mobs, skinheads and vigilantes and even the flaws of the police themselves all saw episodes dedicated to them.

    The star is the larger-than-life Robbie Coltrane as the brilliant Dr Eddie Fitzgerald (or Fitz as he is universally known), a forensic psychologist who is called on by the Greater Manchester police to aid in investigations of serious crimes such as rape, murder and missing persons. Fitz is a remarkably intelligent man, able to tap into the subconscious of a criminal and provide police with a myriad of small clues or profiles about the wanted suspect. With a clever line of questioning he is also an expert at forcing a suspect to crack under pressure by targeting their insecurities and delving into secrets about their past that even the villain may not be aware of. Unfortunately for Fitz he sees many things in his work and he's just about the best in the business, but he cannot seem to function very well in everyday life. Much like the plumber who lives with the constant dripping tap at home, or the mechanic who drives around in a smoking old bomb, Fitz can look deep into the soul and mind of others and instantly see their flaws and problems, but he is unable to perform this same analysis on himself. He is the ultimate flawed hero. Overweight to the point of obesity, he's also a heavy drinker - some six to seven bottles of whiskey a week is about average, and smoker - 50 to 60 per day. Coupled with an outrageous gambling addiction that often results in thousands of pounds lost at a time, he is a highly cynical and often incredibly rude person who is far too caught up in his own self-importance and bedazzled by his own intellect. It's fair to say that Fitz doesn't have too many redeeming qualities and his personal life suffers greatly, with his long-suffering wife Judith (Barbara Flynn) regularly on the verge of leaving him.

    But it is his psychologist experience that sees him used as an invaluable tool by the police. Disliked by many, he has a valuable ally in the force in DCI David Billborough (Christopher Eccleston) and enjoys a close working relationship with DS Jane Penhaligon (Geraldine Somerville). Penhaligon (or "Panhandle" as Fitz jokingly refers to her) is caught firmly under a glass ceiling as she tries to battle the outdated and often chauvinistic ways of those officers around her. Leader of the pack for arrogance and sexist remarks in the office is DS Jimmy Beck (Lorcan Cranitch), a copper so behind the times he would look at home in the 19th century. He despises the constant use of Fitz, feeling the real coppers are quite able to perform the job without the aid of this smart-mouthed and smarmy doctor of psychology. This attitude and dislike for both Fitz and Penhaligon festers for much of the series and provides pivotal elements of the story.

   A brief synopsis of the three episodes of series two follows. Please note that since a substantial amount of the plot of Cracker is effectively carried on right throughout the full ten episodes I have been particularly brief and a little unclear at times in my summation of the individual plots, since much of what is contained in these episodes would be considered huge plot spoilers for the earlier episodes - and I really don't want to spoil the surprise. Believe me, if you have never seen this series the experience is worth it.

Episode 1 - To Be A Somebody - 1994 (148:03)

    This dynamite episode is the best of all the Cracker episodes and is so good it would easily stand up for scrutiny by itself as a standalone feature film. Featuring a stand-out and emotion-charged performance from a young Robert Carlyle (The Full Monty, Trainspotting) and more twists, turns and tension than most can handle, it also provides the catalyst for many further events that unfold over the coming episodes and as a result is one episode that cannot be missed or viewed out of sequence.

    Carlyle plays Albie Kinsella, a man in his early thirties who is grieving the recent death of his much-loved father. Both he and his father still bore the scars of the 1989 Hillsborough football stadium tragedy where 96 Liverpool soccer fans were crushed to death in a mob stampede. With the death of his father, Albie finally snaps and in a fit of rage murders a Pakistani shopkeeper. Taking on the appearance of a skinhead he systematically sets about exacting revenge for all the needless deaths of Hillsborough - deaths he attributes to the stupid actions of the police. As the murder count starts to climb, DCI Billborough must decide whether to call in Fitz for help, even though the two have been at odds since the previous episode. Fitz is still having trouble with his wife and he's also being given the cold shoulder from DS Penhaligon over events which unfolded in episode three of series one. Fitz finally arrives to lend a hand and instantly alerts the police to the fact that they have been on the wrong track all along with their inquiry. When the ever-slack DS Beck inadvertently lets Albie out of his grasp with some sloppy policing, the ramifications will send shockwaves around the force and affect all the people involved in the case for months to come.

Episode 2 - The Big Crunch - 1994 (147:42)

    An episode examining the bizarre world of a religious cult group. When school principal and leader of the religious group Kenneth Trant is discovered by his sister-in-law to be having a sexual relationship with a 16-year-old schoolgirl the results are disastrous. Encouraged by his fanatical wife, Trant, his brother and sister-in-law end up performing some bizarre sexual/religious ceremony which culminates in the drugging and attempted murder of the girl. Planning on killing her off for good, the group enlists Dean, a simpleton from the Trant paper packaging factory to dispose of the girl and effectively perform the murder - and take the rap if he gets caught. But Dean doesn't go through with it and the girl escapes only to die in hospital from her overdose. In what looks like a simple murder inquiry, Fitz and Penhaligon aren't so sure of the easy solution and begin asking questions of the religious leaders. It's also been noticed that Penhaligon has been spending an awful lot of time with Fitz of late...

Episode 3 - Men Should Weep - 1994 (148:34)

    A critical moment occurs in this episode that shapes much of what occurs for the rest of the series, affecting the relationships between Fitz, DS Penhaligon and the rest of the officers at the police station. This episode is on par with episode one for gut-wrenching emotion and tension and would again almost stand alone as a feature film. Fitz is appearing on his regular psychology show on radio when a caller claims to be the serial rapist terrorising Manchester women and tormenting the police for several years. Floyd Malcolm is a young black man who has been raping white women as part of some revenge-fuelled rage and has yet to be caught. When his crimes turn increasingly violent, resulting in the murder of a young woman, Fitz and the police know they must up the ante in an effort to catch him. Back at the police station, DS Beck is still struggling to come to terms with recent tragic events and appears on the edge of a nervous breakdown. Fitz meanwhile is pleasantly surprised when Judith suddenly shows up and is planning on moving back home, and she has a rather large surprise for him.

Video

    It would appear this transfer is the same one that graced the ten-disc set released a couple of years ago. Back then I said there was not a whole lot to get excited about over the transfer and it's pretty much the same this time around. I was disappointed back then that a series of this quality had been presented in quite a grubby and generally rundown manner and my sentiments are echoed here. I guess they are acceptable for their age, but are nothing like we expect for quality television-based transfers in 2004.

    These episodes were originally produced in 1995 and are presented in the full frame format of 1.33:1. None are 16x9 enhanced.

    Overall, the transfers are nowhere near as sharp as I would have liked, with a general softness to the whole image. As a result there is no trace of any edge enhancement, although the whole image has a sort of flat two-dimensional feel to it with nothing really leaping out at you. Shadow detail is acceptable, but has been tweaked at times to get the best clarity out of the picture. As a result black levels are at times really quite grey. There is consistent grain which is more noticeable at times, usually on the brighter exterior shots or when inside the police station with its white and grey walls.

    Colours are really quite dull, with little to no vibrancy.

    There are no apparent MPEG artefacts. Film-to-video artefacts are pretty much absent. Film artefacts are quite numerous across all episodes.

    There are no subtitles.

    All three discs are single sided and dual layered with the layer breaks occurring between episodes.

Video Ratings Summary

Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    There is only one audio soundtrack available for this release, with this being a fairly nondescript English Dolby Digital 2.0. The surround flag is not enabled in the bitstream but switching on Pro-Logic processing indicates there is certainly ample enough left/right/centre separation for it to be considered a surround track. There is also a Dolby Surround logo that appears in the first few frames of every episode which is the dead giveaway that it was originally a surround soundtrack.

    There really isn't a great deal to say about the audio. With this being a hugely dialogue based drama series, most of the action emanates from the centre channel, with audio like sirens and other outside street sounds getting picked up in the left and right channels.

    The often rapid dialogue coupled with the mix of Manchester and Scottish accents makes dialogue a little tricky at times, but none of this is attributed to the mastering of the disc, rather the source recording. There are no audio sync issues.

    There is essentially no surround use and no discrete subwoofer use.

Audio Ratings Summary

Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Main Menu Audio & Animation

    Unfortunately there are no extras in this set.

    A similarly specified Cracker series is available as three separate titles covering the three series in Region 1 (though do not get it confused with the poor American rip-off of the series that was a virtual copy made several years later starring Robert Pastorelli). There appears to be no differences in content or quality terms between any of the releases. Cracker in Region 2 can be purchased as either part of a ten-disc set or individually packaged episodes.

    Cracker is television drama at its very best and this three-disc set of series two continues the excellence with superbly crafted multi-dimensional characters that exhibit every flaw known to man, and acting so good you almost imagine these people are real. Robbie Coltrane is without peer as the flawed but brilliant psychologist and no taboo is ignored, with racism, sexual molestation, rape, workplace harassment, mainstream and cult religion, media manipulation and sensationalism, mob vigilantes, drunkenness, gambling addictions and many others used as key pillars for the stories.

    The video quality here is still somewhat variable and on the whole would be labelled as disappointing.

    The audio is functional, perhaps a little lacking in fidelity, but certainly adequate for the job.

    There are no extras.

Video
Audio
Extras
Plot
Overall