Dawn of the Dead (Umbrella) (1978) |
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General | Extras | ||
Category | Horror |
Main Menu Introduction Main Menu Audio & Animation Audio Commentary-George A. Romero, Tom Savini And Chris Romero Audio Commentary-Richard P. Rubinstein (Producer) Featurette-The Dead Will Walk Gallery-Photo-Montage Biographies-Cast & Crew Theatrical Trailer-2 Notes-Original Reviews Radio Spots |
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Rating | |||
Year Of Production | 1978 | ||
Running Time | 127:02 | ||
RSDL / Flipper | Dual Layered | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 1,2,3,4,5,6 | Directed By | George A. Romero |
Studio
Distributor |
Umbrella Entertainment |
Starring |
David Emge Ken Foree Scott H. Reiniger Gaylen Ross David Crawford David Early Richard France Howard Smith Daniel Dietrich Fred Baker James A. Baffico Rod Stouffer Jesse Del Gre |
Case | ? | ||
RPI | Box | Music |
Dario Argento Goblin Agostino Marangolo |
Video | Audio | ||
Pan & Scan/Full Frame | None |
English Dolby Digital 2.0 (192Kb/s) English Dolby Digital 5.1 (224Kb/s) English Audio Commentary Dolby Digital 2.0 (192Kb/s) English Audio Commentary Dolby Digital 2.0 (192Kb/s) |
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Widescreen Aspect Ratio | 1.78:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.85:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | None | Smoking | Yes |
Annoying Product Placement | No | ||
Action In or After Credits | No |
George A. Romero's follow-up to his brilliant Night of the Living Dead is the brilliant Dawn of the Dead, a semi-remake of the first film set in an enormous shopping mall in which four survivors of the zombie-apocalypse settle to stock up. Trading the desolation and anxiety of the first film for a more over-the-top, saturated style, Romero finds subtext in his zombies flocking to the abandoned mall where the protagonists hide: the brainless succumbing to consumerism and the protagonists finding that the real enemy is not the brainless minions, but the dark elements of humanity itself.
Much longer and less focused than the original film, Dawn of the Dead is a great twist on the same theme with an entirely different style, very clearly inspired by Dario Argento and Italian horror. The gore is much more over-the-top and less realistic, often cartoonish, which is well matched by the score done by Argento's The Goblins. Never are Romero's films brainless horror - they're always endowed with smart characters, clever situations and fantastic themes that run far below the surface, and always carry impact.
As with Night of the Living Dead, I'd prefer to say as little about Dawn of the Dead as possible in case people are yet to see it, except that it's an excellent entry into Romero's Trilogy of the Dead and a must-see horror film for genre fans.
I must note, though, that three versions of this film exist - the 139 min "Extended version", the 127 min “U.S. Theatrical Cut”, and the 118 min “Dario Argento Cut”. The version included here is Romero's preference, the U.S. Theatrical Cut, which is also my favourite. The major changes are that the original Extended Edition was slightly rushed for Cannes and includes more humor, but also more horror elements and an altered score, while the Argento cut is basically full on horror with some other changes. They're all available in the R1 Ultimate Edition, which completists will demand, but general fans can be satisfied that we're getting the director's original vision and final cut with this DVD set.
This is a very strong transfer that improves as the film continues. The colours are strong and vibrant, which is important as this is a very colourful film. The transfer isn't consistently sharp but is usually very detailed, except suffering from some darkness issues, in which detail is lacking but fortunately has no low level noise (see 18:13).
There are occasional issues with interlacing, and sometimes cross colouration is an issue (see 21:49 for one example), however I believe that this is an issue with the film itself rather than the DVD as it is evident on other DVDs as well. There is very little grain and there are few film artefacts, that do not detract from the viewing.
There are no subtitles.
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Overall |
The two audio tracks unfortunately offer little difference despite a change in volume, with the surround usage being very limited and next to no utilization of the subwoofer. The dialogue is fine, mixed well and perfectly in sync, but the lack of rear speakers used for the music and effects - particularly in crowded scenes - means that the overall presentation lacks atmosphere.
The film's soundtrack by The Goblins still sounds great, even if it isn't delivered perfectly, building up the scenes with heavy beats and emphasising all the over-the-top violence that the film lavishes on the audience.
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Surround Channel Use | |
Subwoofer | |
Overall |
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The video is the best we've ever seen for the film on DVD.
The audio is not as good, but still makes for an enjoyable viewing experience regardless of stereo or full surround.
When there is no more room in hell...
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Overall |
Review Equipment | |
DVD | LG LH-D6230, using Component output |
Display | Benq PE7700. Calibrated with Digital Video Essentials (PAL). This display device has a maximum native resolution of 720p. |
Audio Decoder | Built in to DVD Player, Dolby Digital and DTS. Calibrated with Digital Video Essentials (PAL). |
Amplification | LG |
Speakers | B&W LCR 600 S3 (Front & Centre); B&W DM 600 (Rears); B&W ASW500 (Sub) |