Day of the Dead (Umbrella) (1985) |
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General | Extras | ||
Category | Horror |
Featurette-Behind The Scenes TV Spots-3 Gallery-Photo Theatrical Trailer-3 Trailer-The Hills Have Eyes, The Crazies, Maniac Trailer-Last House On The Left |
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Rating | |||
Year Of Production | 1985 | ||
Running Time | 101:02 | ||
RSDL / Flipper | Dual Layered | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 1,2,3,4,5,6 | Directed By | George A. Romero |
Studio
Distributor |
United Film Distrib Umbrella Entertainment |
Starring |
Lori Cardille Terry Alexander Joseph Pilato Richard Liberty Howard Sherman |
Case | ? | ||
RPI | Box | Music | John Harrison |
Video | Audio | ||
Pan & Scan/Full Frame | None | English Dolby Digital 2.0 (224Kb/s) | |
Widescreen Aspect Ratio | 1.78:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.85:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | None | Smoking | Yes |
Annoying Product Placement | No | ||
Action In or After Credits | No |
The final film in George A. Romero's brilliant, iconic Trilogy of the Dead (no, Land of the Dead does not count, or, to my mind, exist) is the brilliant, iconic Day of the Dead, a completely different beast to the previous films that examines the nature of humanity and the nature of masculine rage, untamed in both human and zombie. An incredibly smart and unusual horror film, it tones down its violence for the majority of the movie while it examines themes of male power and sexual jealousy, before delivering one of the most violent, explicit, effective and realistic gore-packed half hours ever seen on film.
The acting and plot are first rate, and even those who don't care about intelligence in their horror films - particularly zombie films - can celebrate at the incredible rawness of this film, which delivers scene after scene of ghastly horror. Comparing the tepid, bland Land of the Dead, with all of its enhanced CG and megabudget with the violence in this film is like comparing Play School to The Flower of Flesh and Blood - the violence is so graphic and real and observed (the camera never shies away as people we care apart are pulled to pieces) that is has wonderful impact, and never feels over-the-top or cartoonish.
Once again, I'm staying away from discussing too much of what makes this film great; film fans owe it to themselves to see this entire, fantastic trilogy. Even beyond the horror genre, these are fascinating, timeless and powerful films. Interestingly, this is Romero's favourite of the series, despite it often being overlooked in light of the former two, which is really a shame - Day of the Dead is absolutely superb.
This is a very strong transfer that begins looking the worst of the trio, with lack of darkness detail and lots of noise (see 11:36) going hand-in-hand with ugly interlacing and grain issues, but soon pans out to look fantastic after the characters go below the surface.
The gritty, grimy colours are fantastic, and there's high levels of detail in the darkness from about 1/3 of the way in until the end, particularly focusing on the lengthy flee-through-the-dark sequence (which, unfortunately, does contain some low level noise, but it isn't too distracting for the amount of detail). A lack of film artefacts, surprising for a somewhat aged film, and consistently strong detail throughout enhance this viewing experience. You'll be amazed at how good the entrails look.
There are no subtitles.
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This is a well mixed though no-frills audio track; the soundtrack, sound effects and dialogue are all clear and audible and the film is extremely effective as is, though I can't deny that surround might have increased the atmosphere even more. However, it isn't required.
The music is much more profound and intense than both of the previous films, partially from experience (from Night of the Living Dead, Romero has grown as a filmmaker, as has his crew), but partially because the tone is so different (the cartoonish elements of Dawn of the Dead are lost with this extremely gritty, nihilistic approach to the material) and it works a treat. The sound is great: simple, but effective.
The dialogue is kept at good levels, and the ambience of the dialogue itself changes the experience and further adds to the atmosphere - the sounds of speech change from setting to setting, and never suffer from sync problems. All in all, the audio track is fine, sufficient for a stereo mix, but without anything extra to speak of.
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Overall |
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The video is above average, getting better as the film goes on.
The audio is simple but effective.
Unfortunately, there are few extras.
This underrated gem is one of my favourite horror movies, and a fitting conclusion to Romero's Trilogy of the Dead.
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Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | LG LH-D6230, using Component output |
Display | Benq PE7700. Calibrated with Digital Video Essentials (PAL). This display device has a maximum native resolution of 720p. |
Audio Decoder | Built in to DVD Player, Dolby Digital and DTS. Calibrated with Digital Video Essentials (PAL). |
Amplification | LG |
Speakers | B&W LCR 600 S3 (Front & Centre); B&W DM 600 (Rears); B&W ASW500 (Sub) |