100 Feet (Blu-ray) (2008)

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Released 26-May-2010

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Details At A Glance

General Extras
Category Horror None
Rating Rated MA
Year Of Production 2008
Running Time 96:26 (Case: 93)
RSDL / Flipper Dual Layered Cast & Crew
Start Up Menu
Region Coding 4 Directed By Eric Red
Studio
Distributor
New Deal Studios
Icon Entertainment
Starring Famke Janssen
Bobby Cannavale
Ed Westwick
Michael Paré
Case Amaray-Transparent
RPI $49.95 Music John Frizzell


Video Audio
Pan & Scan/Full Frame Full Frame English DTS HD Master Audio 5.1 (2304Kb/s)
English Dolby TrueHD 5.1 (1536Kb/s)
Widescreen Aspect Ratio 1.78:1
16x9 Enhancement
16x9 Enhanced
Video Format 1080p
Original Aspect Ratio 2.35:1 Miscellaneous
Jacket Pictures No
Subtitles English Smoking No
Annoying Product Placement No
Action In or After Credits No

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Plot Synopsis

"Till Death Do Us Part Wasn't Enough"

     Marnie Watson (Famke Janssen) has just been released into twelve months house arrest after a lengthy prison sentence imposed after murdering her policeman husband. An electronic bracelet ensures that Marnie cannot venture more than one hundred feet from a monitoring device in the house. If she goes past the perimeter or tampers with the bracelet then her prison sentence is reinstated for a further ten years. Her husband's former cop partner Lou Shanks (Bobby Cannavale) has made it his mission to watch Marnie in the hope of catching her out. Shanks is so obsessed that he spends a large proportion of his time watching the house from inside his parked car. In interchanges between Shanks and Marnie we learn that husband Mike was an abusive and violent man who, because of his cop status, was allowed to terrorise Marnie over a number of years as her 911 help calls went ignored.

     Unfortunately for Marnie the harassment from Shanks becomes the least of her problems as strange things begin happening in the house. Firstly the red blood stain on the wall cannot be permanently erased. Secondly the electricity supply is turned off and can't be connected for days. Most importantly dead husband Mike starts making ghostly and threatening appearances to the increasingly terrified Marnie. With no contact outside of the house apart from Shanks and the grocery delivery boy Joey (Ed Westwick) who she befriends, Marnie is isolated within the dark and haunted house. At first she hides Mikes's appearances from Shanks and Joey, but Shanks becomes suspicious about what is happening in the house, and also about the visits of Joey. As the ghostly events escalate in intensity and threat, Marnie is torn between breaking her bond and returning to jail, or being punished by her dead husband for his murder.

     100 Feet is a classically constructed ghost story with bumps in the night, ghostly apparitions and startled cats. Janssen pulls of a great performance as the unfairly convicted and strong willed Marnie. With a script predominantly focussed on the abused wife the success of 100 Feet rests firmly on Janssen's shoulders. Fortunately she handles the role with total command and succeeds in making her determination to stay in the house believable, and her sense of guilt and shame as a victim understandable. The character of Shanks is a little more difficult to understand, with his apparent loathing of Marnie underwritten by what I took to be a subtext of secret attraction, leading into his transition to a protective figure. Fortunately however, Cannavale is almost as good as Janssen in bringing just the right levels of emotion and believability into his scenes. Michael Pare is also surprisingly effective as the vengeful and menacing husband with Westwick also strong as the delivery boy/romantic interest.

     In writing and directing 100 Feet Eric Red has created a film that deserves better than its straight to cable TV and DVD fate. The acting is first class, the scares are truly frightening, and the premise behind the story engaging and thought provoking. The few plot holes evident are all forgivable given the overall strength of this film.

     100 Feet is the second movie included as a double-header disc along with Open Graves.

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Transfer Quality

Video

     This film is presented in an 1.78:1 aspect however the original was released at 2.35:1. This is a very good transfer but not as crisp and detailed as the best Blu-ray has to offer. In a movie where most of the sets are indoors with dark surroundings it is important for blacks to be well defined. Fortunately in this instance blacks were very good and there was no trouble in differentiating objects. Colours were also good given the muted surroundings. Flesh tones were true to life with the pale face and dark eyes of Janssen presented faultlessly. There was no significant digital noise and no film artefacts noticed. Overall the video quality is rated as very good.

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

     The default DTS-HD Master Audio 5.1 at around 2,400Kb/s delivers an excellent soundstage with directional effects very well used. The alternative Dolby Digital TrueHD 5.1 at around 1,200Kb/s is very similar to the DTS offering and so I would not prefer one over the other. There were no problems with audio synchronisation and voices were clear and easy to understand. Disappointingly there were faint clicks throughout the movie (for example at 4:48 and 5:13). These clicks were evident on both DTS and Dolby Digital tracks in the same place and initialy I thought they might be intentional. The noises weren't obtrusive, nevertheless once I noticed them I started listening for them. Perhaps the average listener on a different system would not notice them at all. There were no dropouts or any other audio problems that I noticed. The movie score by John Frizzell complements the on screen action well with a suitably ghostly tone.

     The front sound stage was very good with main voices coming from the centre channel and effects used effectively from all directions. Surround channel use was appropriate and complemented the action well. The subwoofer use was used effectively to deliver the crashes and bangs.

     This audio track overall is very good but let down by faint clicks.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

     No extras.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

     This Blu-ray twin movie offering does not seem to be duplicated elsewhere however there are 100 Feet movie only versions available on Region 1, Region 2 and Region 4 DVD. The Region 1 DVD uses the 2.35:1 original aspect which you might prefer otherwise if you have a Blu-ray player than I think this version would be the best option.

Summary

     100 Feet is a well written and effectively produced ghost movie that delivers plenty of scares within a thoughtful screenplay. The acting is first class and special effects quite convincing for a second tier movie. Director and writer Red uses familiar ghost movie clichés but not to excess. For the gore hounds there are a couple of well executed scenes that certainly deserve the MA+ rating. There are no extras as such however I'd class this movie as highly recommended.

     The video quality is very good. The audio quality is very good. Extras are confined to the "bonus" movie Open Graves.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Mike B (read my bio)
Tuesday, December 14, 2010
Review Equipment
DVDDenon DVD-3910 and Panasonic BD-35, using HDMI output
DisplayPanasonic TH-58PZ850A. Calibrated with Digital Video Essentials (PAL). This display device is 16x9 capable. This display device has a maximum native resolution of 1080p.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with Digital Video Essentials (PAL).
AmplificationDenon AVR-3808 pre-out to Elektra Theatron 7 channel amp
SpeakersB&W LCR600 centre and 603s3 mains, Niles in ceiling surrounds, SVS PC-Ultra Sub

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