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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
The Dead Zone (1983)

The Dead Zone (1983)

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Released 16-Feb-2001

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Details At A Glance

General Extras
Category Horror Main Menu Audio & Animation
Scene Selection Anim & Audio
Theatrical Trailer
Rating Rated M
Year Of Production 1983
Running Time 99:28 (Case: 103)
RSDL / Flipper No/No Cast & Crew
Start Up Menu
Region Coding 4 Directed By David Cronenberg
Studio
Distributor

Infogrames
Starring Christopher Walken
Brooke Adams
Tom Skerritt
Herbert Lom
Anthony Zerbe
Colleen Dewhurst
Martin Sheen
Case ?
RPI $32.95 Music Michael Kamen


Video Audio
Pan & Scan/Full Frame None English Dolby Digital 5.1 (448Kb/s)
English Dolby Digital 2.0 (224Kb/s)
Widescreen Aspect Ratio 1.78:1
16x9 Enhancement
16x9 Enhanced
Video Format 576i (PAL)
Original Aspect Ratio 1.85:1 Miscellaneous
Jacket Pictures No
Subtitles None Smoking No
Annoying Product Placement No
Action In or After Credits No

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Plot Synopsis

     Johnny Smith (Christopher Walken) is a good man. He is a popular and successful school teacher who is dating one of his colleagues. While walking down the school's hallway he tells Sarah (Brooke Adams) that she shouldn't make any plans for that afternoon, as she will be spending it with him at the local fair. As he drops Sarah home that night, the weather turns nasty and Sarah asks him to stay the night. Johnny declines, declaring that "Some things are worth waiting for".

    Driving home, the weather is terrible with visibility severely reduced by the conditions. As he approaches the top of a rise, Johnny sees a milk tanker trailer on its side sliding down the road. With no time to react, he slams into the back portion of the tanker and is severely injured. He is taken to hospital where Sarah visits him. She finds him in a deep coma from which he shows no sign of emerging. Johnny is eventually moved to a special clinic for long term coma patients, run by Dr. Sam Weizak (Herbert Lom). Finally, Johnny awakes only to find that 5 years have elapsed. His job and his old life are gone. His beloved Sarah has married another man. The long coma has also taken its toll on his body and Johnny faces a long, painful battle to learn to walk again.

    While he is sleeping, a nurse enters to restock his room with clean linen. As she turns to leave she notices that Johnny is sweating heavily and places a damp towel on his forehead. At this point Johnny wakes suddenly and grabs her hand. He has a vision, a vision of a young girl trapped in a burning bedroom. He tells the nurse, "It's not too late. Your daughter is screaming. Hurry up!". The nurse rushes home to find her house on fire, but fortunately her daughter is saved. Johnny again has a vision while shaking hands with Dr. Weizak. In this vision, he sees a young boy placed in a horse-drawn cart while the German army advances. The boy is Dr. Weizak and Johnny tells the Doctor that he knows that his mother survived the war and is living in America. Weizak is sceptical but Johnny gives him her name and address and tells him to look her up. Weizak looks up her phone number and rings her. She comes to the phone but he doesn't speak to her. He tells Johnny that he couldn't do it "as it wasn't meant to be".

   The media hears of Johnny's ability and so he decides to call a news conference to clear the air and put to rest any speculation about him. During the conference, one reporter pushes him for a demonstration of his ability and so Johnny asks him to sit next to him. He takes the man's hand and offers to tell him why his sister committed suicide. The reporter, shocked and angered that his stunt has back-fired on him, pushes Johnny away and calls him a freak. This particular news conference is on local television and his mother Vera (Jackie Burroughs) is so upset by what she sees that it causes her to have a stroke. Johnny visits her in hospital where she dies while he is with her.

    Finally released from the clinic, Johnny moves in with his lonely father Herb (Sean Sullivan) where he hopes to live quietly and rebuild his life. Alas for Johnny, his ability will once again bring sorrow into his life and will ultimately lead him to a confrontation with a charismatic, ambitious and dangerous man.

    This movie is based on the Stephen King novel of the same name. It is, in my opinion, one of King's best efforts. A sad, pain-filled and yet touching story of a brave man cursed with an ability that could be a blessing but brings him nothing but despair. The movie is generally faithful to the book and is one of the better film adaptations of a King novel.

    I really enjoyed this film. It is perhaps a thinking man's horror movie in that it isn't filled with graphic violence, but rather it shows how this good man is cursed by his ability to see the evil in men's souls. He continues to help people despite the negative impact this has on himself physically and his life in general.

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Transfer Quality

Video

    This DVD contains a good 1.78:1 (measured), 16x9 enhanced video transfer that has to be the best way to sample this 17+ year old film.

    The sharpness of this transfer is generally good, especially after the 18 minute mark. Before this point, the transfer is still good but is less detailed than that which follows. There is also one minor sequence where Johnny Smith is in a scene with Dr. Weizak. Both have close up shots of them as they talk. The period 56:56-57:19 shows that the close ups of Johnny are softer than those of Dr. Weizak. This continues until close to the end of scene when the camera angle changes and the next image of Johnny is much improved. Apart from these minor problems, the following time periods show just how pleasing the sharpness of this transfer can be; 69:41-70:25 and 87:25-87:48. Edge enhancement has been used and is noticeable at times. I've noted some examples for you to view for yourselves. See 03:06-03:12, 04:12-04:16, 11:52-12:15 and the last example at 41:19-41:54. The black level in this film is very good and the amount of shadow detail is fine.

    The colour saturation in this transfer is very good especially when you consider the age of the source material. Strong colours, such as the red top worn by Sarah in one scene, are clear and strong without being overpowering and skin tones are excellent. Some may find the colour a little subdued but it is worth noting that this film is set during winter and the skies are nearly always overcast. This would definitely knock back the contrast which would also subdue the colour a little.

    MPEG artefacts are present in this transfer, in the form of the Gibb effect on the less bold lines of the closing credits. Aliasing occurs frequently but is for the most part fairly minor. I've noted some of the more obvious occurrences for you to consider; 09:57-10:08, 25:08-25:12 and 33:14-33:20. Film artefacts are quite common and occur throughout the film. They are noticeable but not distracting. Some examples can be seen at 00:22-02:40, 03:00-03:03 and 14:24-14:30.

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    There are two audio tracks present on this disc, both in English. One is the main English track which is blessed with Dolby Digital 5.1 audio encoded at 448 Kb/s. The other audio track is an English Dolby Digital 2.0 surround-encoded track complete with 224 Kb/s bitrate. I listened to the main Dolby Digital 5.1 track and sampled the surround track as well.

    This remastered audio transfer is a solid effort that adds some presence and life to the dated fidelity of the source material.

   Dialogue is always clear and always in sync but there are times where it is clear the audio used was inserted during post production. One example is during the fire scene (15:47-15:51) where Amy's mouth is moving but the soundtrack carries a continuous scream.

    The score for this film is by Michael Kamen. It is generally appropriate, although at times I thought he used horror themes for scenes that were more dramatic than scary. It is mixed into the surrounds which adds to its presence.

    I thought this remastered soundtrack was a solid but patchy effort. I've noted several examples of good surround use. These can be found at 04:04-04:42, 05:31-07:10, 07:18-07:23, 15:16-16:06, 17:02-18:17, 73:58-74:13 and 81:38-82:14. At other times, the soundfield collapses with only dialogue clearly evident from the centre channel. Nevertheless, I felt that this was a good audio track that breathed just a little more life into the film.

   The subwoofer is used  to support effects as well as the score. Its use is totally appropriate and well balanced. Good examples of this can be found at  06:19-06:24 and 17:12-18:17.

    The Dolby Digital 2.0 surround track is also a solid effort but lacks the extra fidelity and dimension offered by the 5.1 version.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

    There is really only one extra on this disc, the Theatrical Trailer.

Original Theatrical Trailer (02:15)

    This trailer is 16x9 enhanced and has an aspect ratio of  1.85:1. The video quality of the trailer is quite good but it suffers badly from film artefacts. The colour and sharpness levels are only slightly lower than the film itself. The audio for this trailer is Dolby Digital 2.0 and is easy to understand but lacks any real punch or life.

Menu Audio and Animation

    The main menu on this disc features some animation behind the title graphic of the film and an excerpt of music from the score. The scene selection menus are also animated. The menu design is stylish and uncluttered.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    The Region 1 version of this film got slightly better than average marks in the two reviews that I read for it.

   The Region 1 version of this disc misses out on:

    The Region 4 version of this disc misses out on:      Unless you have a particular desire for a full-frame version of the film or a French audio track there is little to tempt one away from the local product. I would take the Region 4 version for its superior PAL resolution and the lack of the dreaded 3:2 pull-down artefact that you see on NTSC transfers.

Summary

    The Dead Zone is a very good film with solid acting and an interesting, if sad story.

    The video transfer is solid and free from any serious defects.

    This audio transfer breathes new life into a soundtrack that would otherwise be lacking in fidelity and interest.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© John Richardson (read my bio)
Saturday, February 03, 2001
Review Equipment
DVDLoewe Xemix 5006DD, using RGB output
DisplayGrundig MW82-50/8. Calibrated with Video Essentials.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with Video Essentials.
AmplificationDenon AVR-2801
SpeakersMains and Rears: Tannoy Mercury M1. Centre: Tannoy Mercury MC. Subwoofer: Aaton SUB-120.

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