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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
Clash of the Titans (1981)

Clash of the Titans (1981) (NTSC)

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Released 29-Jul-2002

Cover Art

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Details At A Glance

General Extras
Category Fantasy Main Menu Audio
Filmographies-Cast
Listing-Cast & Crew
Featurette-A Conversation With Ray Harryhausen
Featurette-Map Of Myths And Monsters (7)
Theatrical Trailer
Rating Rated PG
Year Of Production 1981
Running Time 117:48
RSDL / Flipper RSDL (49:33) Cast & Crew
Start Up Menu
Region Coding 1,2,3,4 Directed By Desmond Davis
Studio
Distributor

Warner Home Video
Starring Harry Hamlin
Laurence Olivier
Judi Bowker
Burgess Meredith
Claire Bloom
Maggie Smith
Ursula Andress
Sian Phillips
Neil McCarthy
Case Amaray-Transparent-Secure Clip
RPI $29.95 Music Laurence Rosenthal


Video (NTSC) Audio
Pan & Scan/Full Frame None English Dolby Digital 2.0 (192Kb/s)
French Dolby Digital 1.0 (192Kb/s)
Widescreen Aspect Ratio 1.78:1
16x9 Enhancement
16x9 Enhanced
Video Format 480i (NTSC)
Original Aspect Ratio Unknown Miscellaneous
Jacket Pictures No
Subtitles English
French
Spanish
Portuguese
Japanese
Chinese
Indonesian
Thai
Korean
Smoking No
Annoying Product Placement No
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    Loosely based on Greek mythology, Clash of the Titans is not a great movie, but it might be a fun movie for those who love Greek mythology, or for film-buffs, as it is the last movie to feature Ray Harryhausen's work before he retired.

    Let me begin by admitting that as a child, I loved both Greek and Roman mythology. I read all I could about it in both fact and fiction books. According to Greek myth, the Titans were the Gods who ruled before the Olympians. After a war, the Titans were imprisoned by the Olympians. Zeus, an Olympian, the son of the former 'Head-Titan', became the supreme God. As Gods, the Olympians are not perfect. They suffer some of the character flaws of humans. Motivated by anger, revenge, envy and lust, they often meddle and interact with humans.

    Interestingly, as a child I never saw this movie, but I did read the novelisation of it (my family didn't own a video player). Lovers of mythology might enjoy this movie, as it weaves a number of different myths and mythological characters into one coherent story. Purists, however, will probably hate it for this very reason. In Clash of the Titans, the story begins when the King of Argos banishes his daughter and her illegitimate son, Perseus, to the sea. What the King doesn't know is that Zeus (Laurence Olivier) is the father of Perseus. Zeus is enraged by the King's actions, and orders Poseidon (Jack Gwillim) to release the last of the Titans, the Kraken (a giant 'Sea Monster'), to reek havoc on Argos. While Argos is destroyed, Zeus ensures that Perseus lands safely on a nearby Island, where he grows into a strong, young man. Perseus' (Harry Hamlin's) care-free existence ends when, by a twist of fate, he finds himself in Phoenicia. Phoenicia has also insulted a God, and once again the Kraken has been set lose. With the help of a few friends, and his winged stallion Pegasus, Perseus must do battle with Calibos, Medusa, Dioskilos, and others to rescue the beautiful Princess Andromeda (Judi Bowker) and save Phoenicia from the Kraken.

    As I mentioned earlier, this is the last movie to feature Ray Harryhausen's work before he retired. When it comes to movie special effects, there are few people who manage to raise the bar and create a new level of realism and expectation in moviegoers. One such person is Ray Harryhausen. Harryhausen was the creative genus behind the visual effects in movies such as The Three Worlds of Gulliver (1960), Jason and the Argonauts (1963), One Million Years B.C (1966), and The 7th Voyage of Sinbad (1974). Harryhausen's mastery of stop-motion animation, miniatures, double exposures and matte paintings were to inspire many others. Most notably, George Lucas, Steven Spielberg, and James Cameron all cite Harryhausen's work as being both inspirational and very influential. It must be noted that in the modern age of CGI, Harryhausen's work now looks very dated, and even a little cheesy. However, it must also be remembered that without people like Harryhausen, movies like Star Wars could never have been made.

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Transfer Quality

Video

    The quality of this NTSC transfer is limited by its grainy and aged source material.

    The transfer is presented in an aspect ratio of 1.78:1 and is 16x9 enhanced.

    The sharpness is reasonable, but the shadow detail is poor. For example, consider the shot of the amphitheatre at 16:56.

    The quality of the colour is variable, and sometimes it appears faded with age.

    MPEG and film-to-video artefacts are not a problem. A variety of small film artefacts appear infrequently throughout.

    There are nine sets of subtitles present, and the English subtitles are simplified but accurate.

    This is an RSDL disc, with the layer change placed at 49:33. It is relatively smooth, considering that it occurs during a scene.

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    Apart from the default English Dolby Stereo-Surround track, there is also a French mono track.

    The dialogue quality and audio sync are fine, but I did notice the odd audio drop-out.

    The musical score is credited to Laurence Rosenthal, and it is a dramatic, orchestral score, occasionally revealing a romantic flair, and some Greek flavouring.

    The surround presence and activity is quite surprising. The rears are used for both effects, such as the wind and waves at 1:28, and to help carry the score, for example the opening score at 2:40.

    The subwoofer, however, never drew attention to itself.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

     There are a few extras.

Menu

    A simple menu, presented in an aspect ratio of 1.78:1, 16x9 enhanced, with Dolby Digital 2.0 audio.

Theatrical Trailer

    Presented in an aspect ratio of 1.85:1, 16x9 enhanced, with mono audio.

Cast & Crew

    Text-based information.

Conversation with Ray Harryhausen (12:14)

    Presented in an aspect ratio of 1.33:1, with Dolby Digital stereo audio, Harryhausen discusses this movie and some of his other work.

Map of Myths And Monsters

A map with icons allows the viewer to access more information about some of the myths and monsters that appear in the movie.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    Clash of the Titans was released on DVD in Region 1 in August 2002. The two discs seem identical, with the R4 getting the same NTSC transfer (complete with FBI copyright warning).

Summary

    Clash of the Titans is a fun B-Grade Sunday matinee movie which now appears quite dated.

    The video quality is reasonable.

    The audio quality is good for Dolby Stereo-Surround.

    The extras are interesting.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Brandon Robert Vogt (warning: bio hazard)
Thursday, August 29, 2002
Review Equipment
DVDPioneer DV-535, using S-Video output
DisplayGrundig Elegance 82-2101 (82cm, 16x9). Calibrated with Video Essentials. This display device is 16x9 capable.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with Video Essentials.
AmplificationSony STR DE-545
SpeakersSony SS-V315 x5; Sony SA-WMS315 subwoofer

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