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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
Baby Geniuses (1999)

Baby Geniuses (1999)

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Released 15-Nov-1999

Cover Art

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Details At A Glance

General Extras
Category Comedy Dolby Digital Trailer-City
Theatrical Trailer-1.33:1 non-16x9, Dolby Digital 2.0
Featurette-Behind The Scenes
Featurette-Special Effects
Biographies-Cast & Crew
Rating Rated G
Year Of Production 1999
Running Time 90:52
RSDL / Flipper No/No Cast & Crew
Start Up Menu
Region Coding 2,4 Directed By Bob Clark
Studio
Distributor

Sony Pictures Home Entertain
Starring Kathleen Turner
Christopher Lloyd
Kim Cattrall
Peter MacNicol
Ruby Dee
Case Brackley-Trans-No Lip
RPI $36.95 Music Paul Zaza


Video Audio
Pan & Scan/Full Frame None English Dolby Digital 5.1 (448Kb/s)
Widescreen Aspect Ratio 2.35:1
16x9 Enhancement
16x9 Enhanced
Video Format 576i (PAL)
Original Aspect Ratio 2.35:1 Miscellaneous
Jacket Pictures No
Subtitles English
Polish
Czech
Hungarian
Hindi
Hebrew
Turkish
Danish
Swedish
Finnish
Norwegian
Greek
Dutch
Smoking No
Annoying Product Placement No
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    This movie tackles the big question everyone wants to know: Do babies talk to each other, and if they do, what do they say? According to Baby Geniuses, not only do they talk to each other, but they are also possessed with the answers to the questions of life, the universe and everything. It is up to Dr. Elena Kinder, played well by Kathleen Turner and her sidekick Dr Heep (Christopher Lloyd) to find the most intelligent of these babies and use them for their own evil gains.

    Sound silly? Well, it is. The plot is basically a vehicle for some clever special effects. For me, the novelty of babies speaking like adults wore off a while ago given such films as Look Who's Talking and all its sequels. Having an entire movie based upon this was something I tired of quickly. However, the movie is obviously aimed at a young audience, and I am sure they will find it all amusing. I am sure I don't know what the lead characters were thinking when they signed the dotted line for this one.

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Transfer Quality

Video

    This is standard Columbia TriStar fare; in other words, essentially perfect. Why do average films always get such good treatment? It seems that the quality of a given DVD is inversely proportional to the quality of the movie contained on it. Or is it just me?

    The transfer is presented in an aspect ratio of 2.35:1 and it is 16x9 enhanced.

    Nothing much to report out of the ordinary for CTS. The picture is uniformly sharp. Shadow detail is very good. There is no low-level noise.

    The colours are vibrant and clean, with no oversaturation. Skin tones are rendered realistically.

    There were no MPEG artefacts of any kind during this movie, which given the length the film is, should not be a surprise. There were no film-to-video artefacts. Film artefacts were few and far between, however there is the odd fleck now and then which does look out of place given the youth of this movie.

Audio

    Unusually for Columbia TriStar, there is just the one audio track: English Dolby Digital 5.1.

    Dialogue was at all times clear and easy to understand. ADR voice looping was at time distracting, however it should not be a concern to the target audience.

    There were at times minor problems with audio sync, and this falls singularly on the above mentioned vocal re-recording. Generally however, sync was perfect.

    The scoring by Paul Zaza is light and peppy, and very well recorded. It has a nice rich sound, and suits the onscreen action.

    The surround channels were used frequently, and sometimes superbly. Of particular note is the helicopter during the opening scenes which flies around the room - always impressive. The surrounds were generally given to creating ambience and adding depth to the soundfield.

    The subwoofer had little use apart from helping fill the bottom end of the score at times.

Extras

    There is a dubious collection of extras here.

Menu

    The static menu design appropriately themed for the movie, and is not 16x9 enhanced.

Dolby Digital Trailer - City

U.S. Theatrical Trailer (1:58)

    Presented in 1.33:1 (4x3) and Dolby Digital 2.0

Featurette - Behind The Scenes (3:06)

    This is merely a collection of scenes from the film. There is NO behind the scenes information. Just filling for the extras list.

Featurette - Special Effects (1:30)

    Again, of very little value. A snippet of information is given.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    The Region 1 version of this movie is a Full Frame version, so the Region 4 version is the version of choice by virtue of being in the correct aspect ratio.

Summary

    A film which will be sure to entertain children, but of little appeal to adults.

    The video quality is very good.

    The audio is very good.

    The list of extras seems more impressive than it actually is. The featurettes should have been left out, as they have nothing to contribute at all.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Paul Cordingley (bio)
Tuesday, November 30, 1999
Review Equipment
DVDPanasonic A-350A, using S-Video output
DisplayPioneer SD-T43W1 (125cm). Calibrated with Ultimate DVD Platinum. This display device is 16x9 capable.
Audio DecoderBuilt in to DVD player.
AmplificationSony STR DE-525 5x100 watts Dolby Pro-Logic / 5.1 Ready Receiver; 4 x Optimus 10-band Graphic EQ
SpeakersCentre: Sony SS-CN35 100 watt; Main & Surrounds: Pioneer CS-R390-K 150-watt floorstanders; Subwoofer: Optimus 100-watt passive

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