Samurai, The (Onmitsu Kenshi)-Volume 4 (1962) |
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General | Extras | ||
Category | Martial Arts | None | |
Rating | |||
Year Of Production | 1962 | ||
Running Time | 96:05 (Case: 88) | ||
RSDL / Flipper | No/No | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 4 | Directed By | Toru Toyama |
Studio
Distributor |
Shock Entertainment |
Starring |
Koiichi Ose Shunsuke Omori |
Case | C-Button-Version 2 | ||
RPI | $24.95 | Music | Hirooki Ogawa |
Video | Audio | ||
Pan & Scan/Full Frame | Full Frame | English Dolby Digital 2.0 mono (192Kb/s) | |
Widescreen Aspect Ratio | None | ||
16x9 Enhancement | No | ||
Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.33:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | None | Smoking | No |
Annoying Product Placement | No | ||
Action In or After Credits | No |
This is the fourth, and last, volume of The Samurai. Please read my review of Volume 1 first, because I won't be explaining the background to this serial again. While you're at it, you might want to read my reviews of Volume 2 and Volume 3 as well.
Shintaro is really getting close, and the leader of the Koga ninja society is running out of ninja masters to send against him, too. Things are getting tense. These last few episodes are quite cool, in a stilted and jerky way.
Every so often there's sight of a piece of technology that I wonder about. On this disc we see ninja in the 17th century using signal rockets. That's not anachronistic, because the ninja could have stolen the technology from the Chinese, who definitely had it by then. But when one of the ninja masters refers to his "magic boomerang flying" (I'm not making this up!), I start to wonder. Perhaps the 17th century ninjas snuck down to Australia and stole the idea of the boomerang from the Australian Aboriginal people, and the translator is just using the modern English word for the Japanese ninja technique of bo mera ngu? Or maybe not...
This volume contains the final four episodes:
There's a bit more philosophising about freedom, but it doesn't reach boring levels. The ending is satisfying, but definitely leaves the door open for a sequel (whether we'll get that on DVD depends, I imagine, on the sales of this series).
This series is presented in an aspect ratio of 1.33:1, as one might expect. It is not 16x9 enhanced.
The image seems a bit sharper on this disc, as though they've tuned up the telecine machine, but it is still rather soft. Shadow detail remains poor. There is no noticeable low-level noise.
This is a black-and-white presentation (OK, black, and white, and various shades of grey). The only colour is the menu, which is purple on this disc. The picture is slightly better than that found on the first three discs. Blacks are mostly quite black (there are a few scenes where the blacks are dark grey, but these are short), whites are acceptable, and there is a decent range of greys in between.
There are still lots of film artefacts; I doubt there's a frame that's completely bereft of artefacts. Spots, flecks, specks, hairs, scratches — we get the lot; there's even what looks like a burnt frame at 2:20 in Episode 11. By the time we get to Episode 13, the opening credits are very scratchy indeed. And, there are plenty of interlacing artefacts, probably because this series was transferred from film to NTSC, then converted to PAL.
There is no aliasing or moire, no shimmer, and no MPEG artefacts of note. The disc has been reasonably well-mastered, but without restoration.
There are no subtitles.
The disc is single-sided and single layered. There is no layer change to worry about, and no problem, given the limited amount of material on this disc.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
The soundtrack is provided in English (coded as "Other language"), Dolby Digital 2.0 mono. This soundtrack is about the same as the others: noisy, limited in range (both frequency and dynamics), but adequate.
The dialogue is comprehensible, almost all the time, providing you aren't confused by Japanese names. The audio sync is a lovely example of awful dubbing, but I consider that part of the charm of this series.
The music, from Hirooki Ogawa, is an interesting amalgam of bamboo flute, tapping sticks, Wurlitzer organ, and sundry orchestral instruments. It becomes part of the atmosphere that is The Samurai.
A mono soundtrack provides nothing for any of your expensive array of speakers, except the centre channel.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
This extras on this disc are easily described — nil, nothing, nada, nought.
The menu is static and silent, listing the episodes, and allowing selection of one at a time.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
This disc is not available in Region 1.
A classic TV serial, presented in poor condition on DVD. This disc brings the main storyline to a conclusion.
The video quality is really quite poor, but it doesn't prevent you enjoying the story.
The audio quality is poor, but adequate.
There are no extras.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Pioneer DV-S733A, using Component output |
Display | Sony VPH-G70 CRT Projector, QuadScan Elite scaler (Tripler), ScreenTechnics 110. Calibrated with Video Essentials. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials. |
Amplification | Denon AVC-A1SE |
Speakers | Front Left, Centre, Right: Krix Euphonix; Rears: Krix KDX-M; Subwoofer: Krix Seismix 5 |