Horror of Dracula (Dracula) (1958) |
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General | Extras | ||
Category | Horror |
Main Menu Audio Listing-Cast & Crew Theatrical Trailer |
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Rating | |||
Year Of Production | 1958 | ||
Running Time | 78:11 | ||
RSDL / Flipper | No/No | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 2,4 | Directed By | Terence Fisher |
Studio
Distributor |
Warner Home Video |
Starring |
Peter Cushing Christopher Lee Michael Gough Melissa Stribling Carol Marsh |
Case | Gatefold | ||
RPI | Box | Music | James Bernard |
Video | Audio | ||
Pan & Scan/Full Frame | None |
English Dolby Digital 1.0 (192Kb/s) German Dolby Digital 1.0 (192Kb/s) |
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Widescreen Aspect Ratio | 1.78:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.75:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles |
English French German Swedish Danish Norwegian Greek Turkish Arabic English for the Hearing Impaired German for the Hearing Impaired |
Smoking | Yes |
Annoying Product Placement | No | ||
Action In or After Credits | No |
Horror of Dracula is the second disc in the Hammer Horror Collection box set. I think the story is much better than the Curse of Frankenstein but unfortunately the film master is not as well preserved. Nor is the transfer of the same standard.
In 1897 Bram Stoker finished a novel that brought to the public attention the legend of the vampire. He chose Vlad Dracula as the central character for his novel. Dracula was a 15th century prince in Wallachia, a province of Romania bordered to the north by Transylvania and Moldavia. While Vlad was a brutal ruler also known as the Impaler, he had not previously been associated with the vampire legend. This novel was to change that forever. The name Dracula is now inextricably intertwined with the legend of the vampire. Apparently we have no idea why Stoker moved the home of Dracula north to Transylvania.
The legend of the vampire comes from far far back in the earliest memories of man. Many cultures have a version of this legend. It has also become part of the modern myth, inspiring many movies, both horror and comedy, and even a musical. Recent series such as Buffy have taken the original legends in slightly different directions despite guest appearances by Dracula.
In my opinion, this movie is one of the best versions of the legend on the silver screen. When I picture Dracula in my mind he has the face of Christopher Lee and the man trying to drive the stake into his heart will always be Peter Cushing. This is a wonderfully compact story with all the correct elements in the right places; wonderful acting, and a truly creepy feeling at the right moments. A little bit of gore and a gradual building of the tension lead to a galloping ending that is very satisfying. We begin with a friend of Doctor Van Helsing (Peter Cushing), Jonathan Harker, travelling to Transylvania to take on the evil vampire in his own home. While he fails to nail, or stake Dracula, he does manage to kill Dracula's female companion. Driven by revenge, Dracula comes to England to find Jonathan's fiancée. When mysterious things start happening, Doctor Van Helsing is called in to help. The two antagonists play a game of cat and mouse as Helsing tries to track down the daytime lair of Dracula.
The sets are particularly good in this film - Dracula's main entrance and hall is a wonderfully gothic creation. I particularly like the tall obelisk at the bottom of the stairs. The costumes are also great which, considering that Hammer Studios worked on a tight budget, is proof that you don't need a big budget to make a great film.
Presented at 1.78:1 and 16x9 enhanced, IMDB reports this film as having a theatrical aspect ratio of 1.75:1 so this is close.
Unfortunately, the image is quite soft throughout the film, both in the foreground and more so in the background. Movement causes a further loss of resolution such as the overcoat at 2:47. Another example is the scarf at 59:43 which almost becomes transparent. Black levels are good as is the shadow detail, but there is a large amount of low level noise generated by the grain. There are a couple of funny artefacts where part of a scene suddenly becomes brighter for a single frame and then returns to normal which gives the appearance of a blue flash bulb illuminating part of a scene. This can be seen at 22:11 and again at 22:17.
The colours are somewhat affected by the low level noise and grain but do have good levels of saturation. Flesh tones move from the warm to the cold, and not just for Dracula.
MPEG artefacts are restricted mostly to the background and appear as constant slight pixelization and posterization. An example can be seen at 7:38. There is also some posterization in the foreground such as in the face at 59:44 and 59:48. There is some aliasing present. An example can be seen in the window shutters at 60:46. There are a number of white flecks and other film artefacts and of course the previously mentioned grain.
There are a number of subtitles including English and English for the Hearing Impaired. Both are easy to read and accurate to the on-screen dialogue.
This is a single layered disc.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
Like the audio on the first disc in this set, the audio here is a little thin. Other than that there are no problems.
There are two audio soundtracks on this disc, both Dolby Digital 1.0. The first is English and the second German.
The music is described at one point in the English for the Hearing Impaired subtitles as 'Ominous Instrumental music', and so it is. This is a wonderful soundtrack that works with the on-screen action to create a perfect atmosphere for watching this film.
Of course, being a mono soundtrack, there is no surround activity nor subwoofer activity.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
Presented at 1.78:1 and accompanied by a Dolby Digital 1.0 soundtrack, the trailer is in worse condition than the main feature. The grain is worse as are the other film artefacts. The audio is also recorded at a higher level than the main feature.
A single static page with the cast and crew listed.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
While this box set has been released in the US, information on this release is extremely hard to come by. The movie has also been released by itself. The content is identical although reports on the transfer give it a better rating than I have. The box set appears to be available in England under the title of "Hammer Horror Originals" and again the transfer is reportedly slightly better, although it is likely that they are identical transfers to the R4 ones.
While mild by today's standards, there is a small amount of gore in this film - (SPOILER ALERT: highlight with mouse to read) some red blood welling up around the stake as it is driven home - rendered in wonderful rich Technicolor. Dracula's taste in necks and the attached women leans to the voluptuous and the costumes show this to best advantage.
The video is a bit disappointing.
The audio lacks depth but is good for its era.
The extras are also disappointing.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Skyworth 1050p progressive scan, using RGB output |
Display | Sony 1252q CRT Projector, Screen Technics matte white screen 16:9 (223cm). Calibrated with AVIA Guide To Home Theatre. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with AVIA Guide To Home Theatre. |
Amplification | Sony STR-DB1070 |
Speakers | B&W DM305 (mains); CC3 (centre); S100 (surrounds); custom Adire Audio Tempest with Redgum plate amp (subwoofer) |