Where the Money Is (2000) |
![]() |
![]() |
BUY IT |
General | Extras | ||
Category | Drama |
Theatrical Trailer Dolby Digital Trailer-Egypt |
|
Rating |
![]() |
||
Year Of Production | 2000 | ||
Running Time | 84:47 (Case: 88) | ||
RSDL / Flipper | No/No | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 4 | Directed By | Marek Kanievska |
Studio
Distributor |
![]() Roadshow Home Entertainment |
Starring |
Paul Newman Linda Fiorentino Dermot Mulroney |
Case | C-Button-Version 2 | ||
RPI | $34.95 | Music | Mark Isham |
Video | Audio | ||
Pan & Scan/Full Frame | None | English Dolby Digital 5.1 (448Kb/s) | |
Widescreen Aspect Ratio | 1.78:1 | ||
16x9 Enhancement |
![]() |
||
Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.85:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | English for the Hearing Impaired | Smoking | Yes |
Annoying Product Placement | No | ||
Action In or After Credits | No |
Where The Money Is was a surprise. I wasn't sure quite what to expect of a 1999 Paul Newman movie. The title made me wonder if it had something to do with one of Newman's classics: The Colour of Money. I can tell you definitively: there are no pool tables in this movie.
Paul Newman plays a convicted bank robber (Henry). Linda Fiorentino plays a nurse (Carol). Because of a dearth of beds in prison hospitals, Henry is transferred to a nursing home. He is thought to have suffered a stroke, but Carol is unconvinced of this - she believes him to be feigning the illness. The ways she tries to get him to respond make me question the PG rating. She isn't sure why she wants him to be alert, at first. She is dissatisfied with her life, but doesn't know what to do. She's dissatisfied with her husband (Dermot Mulroney), too.
She suspects that Henry has loads of money stashed away somewhere - maybe that's part of her motivation. Or maybe it's just that she doesn't like the idea of being fooled. She finds herself quite interested in him. I loved the story of how he got caught. He was inside a bank vault when the power blacked out, the generator came on, and the door closed - they found him inside the following day.
I won't tell you what happens - you'll want to see for yourself.
This film is presented in an aspect ratio of about 1.78:1, 16x9 enhanced. The cover claims an aspect ratio of 1.85:1, which was the theatrical ratio.
The picture is fairly sharp, but falls short of perfection. Shadow detail is excellent. There's no low level noise. The backgrounds are sometimes grainy, but I'm certain that was deliberate, focussing attention on the foregrounds. There are a couple of shots which look edge-enhanced, but I think it is actually back-lighting.
Colour is excellent. The opening scene is in black and white, but the rest of the film shows nicely saturated colours when they are present.
There's not much in the way of artefacts - a little aliasing, a few film artefacts. There's a visible white blob at 47:40, but apart from that about the only really noticeable artefact is some serious film grain at around 59:50 - even that is not especially troublesome. I was impressed to see that the final credits roll without showing any artefacts.
The only subtitles are English for the Hard of Hearing. They are quite accurate, and include incidental sounds and even the words to the songs. They are placed according to the speaker, which is becoming quite common - I like it. The font is clear and easy to read.
The disc is single-sided, single-layer. With nothing but a trailer and a movie which is only 85 minutes long, the single layer is plenty.
Sharpness | ![]() ![]() ![]() ![]() ![]() |
Shadow Detail | ![]() ![]() ![]() ![]() ![]() |
Colour | ![]() ![]() ![]() ![]() ![]() |
Grain/Pixelization | ![]() ![]() ![]() ![]() |
Film-To-Video Artefacts | ![]() ![]() ![]() ![]() |
Film Artefacts | ![]() ![]() ![]() ![]() |
Overall | ![]() ![]() ![]() ![]() ![]() |
The solitary soundtrack is English Dolby Digital 5.1.
Dialogue is clear. There are a couple of snide comments that come across well - I liked "it says you're not supposed to immerse it in water" (you'll see).
The score is excellent. It includes some marvellous low bass and good surround ambience. This soundtrack is 5.1 with good reason. It comes across OK on a TV, but sounds much better in 5.1.
The surrounds and subwoofer are used almost exclusively by the score (there's not a lot in the way of explosions or other sound effects), but they are used well.
Dialogue | ![]() ![]() ![]() ![]() ![]() |
Audio Sync | ![]() ![]() ![]() ![]() ![]() |
Clicks/Pops/Dropouts | ![]() ![]() ![]() ![]() ![]() |
Surround Channel Use | ![]() ![]() ![]() ![]() |
Subwoofer | ![]() ![]() ![]() ![]() |
Overall | ![]() ![]() ![]() ![]() ![]() |
The cover is honest: it lists "Bonus features on this DVD: Theatrical Trailer" - that's it.
The menu is static and silent.
This trailer is presented in an aspect ratio of 1.33:1.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The R1 disc has biographies, production notes, and Web links, but I don't value any of those highly. I'd call it pretty much even.
Where The Money Is is a good movie, done well on a bare-bones DVD.
The video quality is good.
The audio quality is excellent.
The extras are minimal.
Video | ![]() ![]() ![]() ![]() ![]() |
Audio | ![]() ![]() ![]() ![]() ![]() |
Extras | ![]() |
Plot | ![]() ![]() ![]() ![]() |
Overall | ![]() ![]() ![]() ![]() |
Review Equipment | |
DVD | Arcam DV88, using Component output |
Display | Sony VPH-G70 CRT Projector, QuadScan Elite scaler (Tripler), ScreenTechnics 110. Calibrated with Video Essentials. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials. |
Amplification | Denon AVC-A1SE |
Speakers | Front Left and Right: Krix Euphonix, Centre: Krix KDX-C Rears: Krix KDX-M, Subwoofer: Krix Seismix 5 |