Boiler Room (2000) |
BUY IT |
General | Extras | ||
Category | Thriller |
Main Menu Introduction Main Menu Audio & Animation Dolby Digital Trailer-Aurora Scene Selection Anim & Audio Biographies-Cast & Crew Deleted Scenes-3 Alternate Ending Theatrical Trailer Audio Commentary-G Ribisi (Actor), B Younger (Dir), J Todd (Pro), et al |
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Rating | |||
Year Of Production | 2000 | ||
Running Time | 115:00 | ||
RSDL / Flipper | RSDL (61:51) | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 4 | Directed By | Ben Younger |
Studio
Distributor |
Roadshow Home Entertainment |
Starring |
Giovanni Ribisi Vin Diesel Nia Long Nicky Katt Scott Caan Ben Affleck |
Case | C-Button-Version 2 | ||
RPI | $34.95 | Music | The Angel |
Video | Audio | ||
Pan & Scan/Full Frame | Auto Pan & Scan Encoded |
English Dolby Digital 5.0 (448Kb/s) English Dolby Digital 2.0 (192Kb/s) English Audio Commentary Dolby Digital 2.0 (192Kb/s) |
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Widescreen Aspect Ratio | 1.85:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.85:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | English for the Hearing Impaired | Smoking | Yes |
Annoying Product Placement | No | ||
Action In or After Credits | No |
What is it with movies about money and greed? They all seem to provide classic lines like the above!
I missed Boiler Room during its cinematic run last year and from the reviews I read at the time it was with great regret that I did so. So when the opportunity came up to review it, I gladly accepted.
Remember "Greed is Good"? Well, greed is back. 15 years after Gordon Gekko and that famous line, trainee broker Seth Davis is learning that greed does and doesn't pay. In another fantastic performance from one of Hollywood's rising stars, Giovanni Ribisi plays Seth Davis, a college dropout who runs an illegal casino from his house. The casino is quite successful and makes Seth a comfortable living, but Seth is eager for more. His life changes the day that a friend drops by and introduces Greg (Nicky Katt), a high-flying, Ferrari-driving broker from firm JT Marlin. Seth is seduced by the promise of quick millions and quickly becomes a trainee broker. At JT Marlin, he learns the techniques of the trade from firm veterans such as Chris Varick (Vin Diesel) and Jim Young (Ben Affleck). However, things are not all they seem and Seth begins to uncover some startling truths about how JT Marlin operates.
Boiler Room is sort of a cross between The Firm and Wall Street, with liberal doses of Glengarry Glenn Ross thrown in for good measure. In fact, the latter two movies, classics in my mind about the greed associated with trading stocks and the sell, sell, sell attitude of real estate, are referenced extensively throughout the film. In fact, two of the best scenes in this movie are almost a parody of them. In one scene, Seth visits the home of one of the brokers. Several of the brokers are sitting around watching television with one of the classic scenes from Wall Street playing. They are reciting the script, verbatim, in an almost bizarre ritual to see who can best worship their hero, Gordon Gekko. In another, Ben Affleck in a performance very similar to Alec Baldwin's Blake in Glengarry Glen Ross, delivers a scintillating three minute speech to the prospective trainees, lecturing them about performance and how money sure makes him happy - "They say money can't buy happiness? Look at the smile on my face. Ear to ear, baby!" he proclaims.
The transfer is presented in its original aspect ratio of 1.85:1 and is 16x9 enhanced. It has Automatic Pan & Scan information encoded.
Sharpness is excellent throughout. Shadow detail is excellent with several of the darker scenes being clearly defined. There are small amounts of grain scattered throughout, but this is by no means distracting, and overall this is a pretty fine transfer in this regard.
The colours in the transfer are quite muted, ranging from the cold icy blue interior of the boiler room, to the warm, comfortable surrounds of Seth's card tables and the various bars and restaurants the characters visit. There is no oversaturation or bleeding as a result.
There are no MPEG artefacts and only a handful of film artefacts that are almost not noticeable. Film-to-video artefacts are limited to minor aliasing evident at 9:47 on a set of venetians and at 68:56 on the bricks of a house. A moiré effect is evident on the television screen at 6:17.
There is only one set of subtitles on this disc; English for the Hearing Impaired. Unfortunately, they are next to useless. At the 57:30 mark, they suddenly stop and don't recommence until 60:02, some 2:32 minutes later. This wouldn't normally be a problem except that they restart from where they left off, so if you are watching from this point you are reading subtitles from action that took place over 2 minutes previously. This continues right through to the end of the movie and into the final credits. Anyone with hearing impairment who may want to watch this movie be warned - the first half will be all you can completely enjoy. It is interesting to note that the error occurs at exactly the mid point of the total running time (115 minutes).
This is a RSDL disc with the layer change occurring at 61:51. It is the best placed layer change I have seen. It is hidden in a fade-to-black at a chapter change and is almost unnoticeable.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
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Overall |
Dialogue is a mixed bag. Much of the scintillating script is delivered at breakneck speed in the noisy chaos of the boiler room and can therefore become muddled or misunderstood. I found that when I was watching with the subtitles on (for the first half anyway!) I was actually discovering what was being said for the first time. Nicky Katt's character Greg is the biggest offender for the mumbles. None of this is a problem with the actual audio soundtrack, more of a feature of the movie. There is an abundant overuse of the F word though, so be warned if sensitive ears are listening.
There are no apparent audio sync problems.
The music is a mix of hip-hop sourced songs and a score composed by The Angel that borrows much from this genre. An interesting selection but according to the director this is the type of music that eager young brokers listen to. It could have easily been a classical selection used, but this wouldn't have provided the feel that this is the new age of stockbroking in the year 2000. The employees of JT Marlin are supposed to all be around the early twenty-something mark. The use of the hip-hop style reinforces this point.
The surround channels are not overly used, but provide suitable background noises in the boiler room and outside scenes. They never call undue attention to themselves, but do enhance the listening experience.
Being a Dolby Digital 5.0 soundtrack there was no subwoofer use.
Overall I found the commentary sometimes confusing. Having 3 separate commentaries combined together with no introduction to each speaker left little idea as to the direction being taken. One minute we are listening about the music being used, then Giovanni Ribisi is talking about his development of Seth's character.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
I can't find any reference to the subtitle problem on any of the US sites, so if you have a need for them go with the Region 1 disc - where you'll also pick up an isolated music score with additional commentary from the music composer and a full 5.1 soundtrack. If you don't need the subtitles then stick with the superior video quality offered by the local product. The musical score and commentary would probably only appeal to those of you that are hip-hop fans and I can't imagine that the subwoofer would receive much dedicated use from what is essentially a dialogue driven movie. I'll stick with the Region 4 disc in this case, only because I'm not hearing impaired, though the lack of quality control in regards to the subtitles is disappointing.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Toshiba 1200, using S-Video output |
Display | Loewe Calida (84cm). Calibrated with Video Essentials. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials. |
Amplification | Harmon/Kardon AVR7000. |
Speakers | Front - B&W 602S2, Centre - B&W CC6S2, Rear - B&W 601S2, Sub - Energy E:xl S10 |