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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
Girlfight (Tribe) (2000)

Girlfight (Tribe) (2000)

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Details At A Glance

General Extras
Category Drama Main Menu Audio & Animation
Menu Audio
Featurette
Theatrical Trailer
Featurette-Behind The Scenes
Trailer-Grey Owl
Music Video-I Can Do Too-Cole
Rating Rated M
Year Of Production 2000
Running Time 106:24 (Case: 98)
RSDL / Flipper RSDL (63:02) Cast & Crew
Start Up Menu
Region Coding 1,2,3,4,5,6 Directed By Karyn Kusama
Studio
Distributor

Tribe Enterprises
Starring Michelle Rodriguez
Jamie Tirelli
Paul Calderon
Santiago Douglas
Case Soft Brackley-Transp
RPI $34.95 Music Theodore Shapiro


Video Audio
Pan & Scan/Full Frame Pan & Scan English Dolby Digital 2.0 (224Kb/s)
Widescreen Aspect Ratio None
16x9 Enhancement No
Video Format 576i (PAL)
Original Aspect Ratio 1.85:1 Miscellaneous
Jacket Pictures No
Subtitles None Smoking No
Annoying Product Placement No
Action In or After Credits No

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Plot Synopsis

    Girlfight is the story of a young girl's battle to become a boxer and her efforts to gain respect both in and out of the ring.

    Diana Guzman (Michelle Rodriguez) is a New York high school student who has problems finding an outlet for her emotions. She has few friends and receives little respect or love in her personal or home life. After deciding to take up boxing, she is able to find some of the things that she was missing in her life and is able to look forward to a more prosperous future.

    At the 2000 Sundance Film Festival this film received both the Grand Jury Prize for Best Dramatic Film and also the award for Best Direction. This was an excellent achievement for first time director Karyn Kusama who works with newcomer Michelle Rodriguez in her debut role. Convincing performances are given by all the actors involved in the production.

   While there have been numerous films where a youth finds direction in their life through sport, Girlfight is able to engage the viewer and provide a highly entertaining experience.

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Transfer Quality

Video

    This transfer is surprisingly good and is marred only by the fact that the correct aspect ratio is not provided.

    The transfer is unfortunately presented in Pan and Scan at an aspect ratio of 1.33:1. When comparing the shots in the feature to those shown in their correct aspect ratio in the trailer and featurette, we can see that the majority of shots have had the matte opened and a near full frame exposed. Unfortunately, there are still a number of occasions when obvious artificial panning is introduced.

    The transfer is slightly soft throughout, but at no stage does this pose a problem for the viewer. Shadow detail is acceptable during the transfer, with the darkly lit scenes revealing significant levels of detail. There is no low level noise present.

    The colour palette is slightly muted during this film, but remains consistent at all times.

    No MPEG artefacts were detectable. Aliasing occurs at only one place during the transfer - at 36:19 during a shot of a speaker box - and is not distracting.

    Small film artefacts are present for the duration of the transfer and occur quite regularly. These artefacts are quite minor and are seen as small black or white flecks. Examples of these artefacts can be seen at 27:05, 38:25 and 43:18. The presence of these artefacts is only mildly distracting and could be easily overlooked by most viewers. There is significant grain present in this film, but this is understandable when the low budget of the movie is taken into consideration.

    The layer change occurs at 63:02 during a scene change and is not distracting to the viewer.

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    The only audio track present on this disc is an English Dolby Digital 2.0 soundtrack that is not flagged as surround-encoded.

    The dialogue is always clear and easy to understand. At no stage were dropouts or sync problems detected.

    The score by Theodore Shapiro is employed quite subtly during the film. There are frequent periods with no accompanying music, but when employed the score suits the on-screen action quite well. The score is classically-based with Latin and Cuban influences. Numerous quiet scenes utilize piano and woodwind instruments and when the action moves to the boxing ring the inclusion of drums works well. The track by Cole, presented as an extra on the disc, is not heard until during the final credits but the track's opening sample is taken from the score where it occurs numerous times.

    If Dolby Surround decoding is manually engaged, there is little activity from the rear speakers and they are only active during a small number of scenes. The subwoofer channel is only utilized by the background music on a few occasions.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

Main Menu Audio & Animation

    The main menu is animated and presented at an aspect ratio of 1.33:1

Cast and Crew Interviews (5.23)

    This short featurette is unusually presented with all film clips and interview segments shown in an aspect ratio of 1.85:1. It is not 16x9 enhanced. The only things that appear outside the letterbox are the introductory titles for the people being interviewed. This is otherwise a standard short making-of featurette and provides little information.

Theatrical Trailer (2:16)

    This trailer is presented in an aspect ratio of 1.85:1 and is not 16x9 enhanced. The trailer shows significant grain and a number of small film artefacts.

Behind-The-Scenes Footage (6:12)

    This footage is obviously sourced from video and is presented in an aspect ratio of 1.33:1. This footage contains no explanatory dialogue and shows the filming of one of the boxing scenes from the movie. A number of short comments from the director and actors are also included.

Music Clip: Cole - I Can Do Too (3:42)

    This music video is presented in an aspect ratio of 1.33:1 and also contains clips from the movie presented at an aspect ratio of 1.85:1. A Dolby Digital 2.0 soundtrack accompanies this music clip.

Trailer: Grey Owl (1:57)

    This trailer is presented in an aspect ratio of 1.85:1 and is not 16x9 enhanced. The trailer was obviously sourced from an analogue tape and shows a large number of film artefacts and also numerous aliasing and moiré effects. Grey Owl is a film by Richard Attenborough starring Pierce Brosnan as a native American who draws attention to the plight of his people.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    The Region 4 version of this disc misses out on; The Region 1 version of this disc misses out on;     The lack of a correctly framed transfer and omission of the Dolby Digital 5.1 soundtrack and director's commentary are sorely missed on this disc. Due to the short running time, I feel that the lack of RSDL formatting on the Columbia TriStar Region 1 version would not significantly affect the quality of the image. Consequently, I feel that the Region 1 version is the clear winner.

Summary

    Girlfight is a highly enjoyable film that shows people are able to find love, discipline and self-respect in the most unlikely of places.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Anthony Kable (read my bio)
Thursday, April 26, 2001
Review Equipment
DVDToshiba 1200, using S-Video output
DisplaySony KP-E41SN11. Calibrated with Video Essentials.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with Video Essentials.
AmplificationFront left/right: ME75b; Center: DA50ES; rear left/right: DA50ES; subwoofer: NAD 2600 (Bridged)
SpeakersFront left/right: VAF DC-X; Center: VAF DC-6; rear left/right: VAF DC-7; subwoofer: Custom NHT-1259

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