Carry On Cruising (1962) |
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General | Extras | ||
Category | Comedy | None | |
Rating | |||
Year Of Production | 1962 | ||
Running Time | 85:40 | ||
RSDL / Flipper | No/No | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 4 | Directed By | Gerald Thomas |
Studio
Distributor |
Universal Pictures Home Video |
Starring |
Sidney James Kenneth Williams Kenneth Connor Lance Percival Liz Fraser Dilys Laye Esme Cannon |
Case | ? | ||
RPI | $17.50 | Music |
Bruce Montgomery Douglas Gamley |
Video | Audio | ||
Pan & Scan/Full Frame | None | English Dolby Digital 2.0 (192Kb/s) | |
Widescreen Aspect Ratio | 1.66:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | Unknown | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles | None | Smoking | Yes |
Annoying Product Placement | No | ||
Action In or After Credits | No |
For most, the Carry On series is either a love it or hate it affair. Luckily, I fall into the former category, but found this particular episode somewhat lacking in both story and humour compared to others from the series. This successful series started back in 1958 with the release of Carry on Sergeant and continued through a whopping 31 more titles with the last one being released in 1992. Carry On Cruising was the sixth Carry On film and was the first to be released in colour.
In this episode, Sidney James is the Captain of the luxury cruise liner SS Happy Wanderer. His regular crew has been replaced with a bunch of misfits, such as the pompous First Mate, the seasick chef and the love-sick doctor, just to name a few. The Captain wants this voyage to go smoothly because he is expecting a promotion to captain the company's newest and grandest ship. The trouble is, these misfits may just be his undoing unless he can cover up or prevent all of their mistakes.
This episode features all the usual stars such as Kenneth Williams, Kenneth Connor and Lance Percival, although this was also the first Carry On release after Sid James had a falling out with Charles Hawtrey, who is naturally therefore not featured in the show. Charles believed that he was the big draw card to the series and therefore wanted higher billing. I guess history speaks for itself.
The transfer is presented in an aspect ratio of 1.66:1, and is NOT 16x9 enhanced.
The transfer was rather average-looking and exhibited a soft appearance. Shadow detail is rarely a problem with good strong lighting being used, causing no areas to suffer from poor visibility. There is mild low level noise throughout the feature which is most noticeable on the ship's walls, particularly if the area was an off-white colour.
As I mentioned earlier, this was the first Carry On to be released in colour so you would assume that some attention would have been paid to get it right the first time. For the most part this is what they did, but some colours, particularly red, are too strong and could have been toned down. There was some colour bleeding - just pick any scene with the bright red jumper or the lamp at 15:00.
Aerial outdoor footage and distant shots of the ship from the shore were very grainy in appearance. Thankfully these scenes were quick and few in number, but sections like 30:02, 42:37, 44:30 and 63:12 were of very poor quality. This had the effect of making the footage either side of these marks appear actually cleaner than it really was. Aliasing is very rare and very mild when it does occur. Film artefacts are frequent and the majority of them are in the form of scratches or dust, both black and white in colour.
There are no subtitles on this disc.
This disc is a single sided disc so therefore there is no layer change.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
There is only the one audio track on this DVD in the form of an English Dolby Digital 2.0 soundtrack.
The dialogue was clear and easy to understand at all times. Well, the drunk on board did slur at times, but that's only to be expected.
Audio sync was not a problem at all with this transfer.
The musical score by Bruce Montgomery and Douglas Gamley was typical of other films of this era. It was no doubt designed to fit in with the theme of the movie and it suited it well. The volume levels did not drown out the dialogue at any point during the movie.
Due to the fact that the soundtrack was centre channel based there were no cases where the surrounds were used.
Likewise, the subwoofer was not used by this track either.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
There are no extras on this disc.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
The Region 4 version of this disc misses out on;
Whilst I enjoy Sid and the team in most Carry On movies that I have seen to date, this was not really one of them. It seemed to lack a lot of the spark and certainly appeared to be lighter on the comedy than others.
The video is comparable to a VCR copy but at least you get to watch it more times as it won't degrade over time.
The audio works, but as the sound sits in the centre speaker there is nothing to get excited about here.
There are no extras.
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Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Denon DVD-1600, using RGB output |
Display | Loewe Aconda 9381ZW. Calibrated with Video Essentials/Ultimate DVD Platinum. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials/Ultimate DVD Platinum. |
Amplification | Denon AVR-2802 Dolby EX/DTS ES Discrete |
Speakers | Whatmough Classic Series C31 (Mains); C06 (Centre); M10 (Rears); Magnat Vector Needle Sub25A Active SubWoofer |