The Exorcist (Peter Blatty's) (2000) |
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General | Extras | ||
Category | Horror |
Main Menu Audio Listing-Cast & Crew TV Spots-4 Radio Spots-2 Theatrical Trailer-2 Audio Commentary-William Friedkin (Director) Notes-Awards |
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Rating | |||
Year Of Production | 2000 | ||
Running Time | 126:44 | ||
RSDL / Flipper | RSDL | Cast & Crew | |
Start Up | Menu | ||
Region Coding | 2,4 | Directed By | John Birkin |
Studio
Distributor |
Warner Home Video |
Starring |
Rowan Atkinson Mina Anwar James Dreyfus Serena Evans David Haig Rudolph Walker |
Case | Amaray-Transparent | ||
RPI | $36.95 | Music |
Howard Goodall Graham Hutchings Charlie Phillips |
Video | Audio | ||
Pan & Scan/Full Frame | None |
English Dolby Digital 5.1 EX (384Kb/s) English Dolby Digital 2.0 (192Kb/s) Italian Dolby Digital 5.1 EX (384Kb/s) English Audio Commentary Dolby Digital 2.0 (192Kb/s) |
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Widescreen Aspect Ratio | 1.78:1 | ||
16x9 Enhancement |
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Video Format | 576i (PAL) | ||
Original Aspect Ratio | 1.85:1 | Miscellaneous | |
Jacket Pictures | No | ||
Subtitles |
English Italian Icelandic Icelandic Finnish Bulgarian Romanian Arabic English for the Hearing Impaired Italian for the Hearing Impaired |
Smoking | Yes |
Annoying Product Placement | No | ||
Action In or After Credits | No |
The film has generally been hailed as a great horror film, but clearly the continuing passage of time is not being kind to the film. Indeed, I started watching this DVD with a young visitor, and his reaction to the film was quite interesting. When it got to the scene of Regan holding up her night-dress and insisting that the doctors "f*** her", he pretty much fell on the floor laughing. Whilst it is to be admitted that a few later scenes started to have a little bit more impact, there really was nothing here that could really have been called terrorizing. Such is the change in attitudes over the past twenty-eight years that what was a highly disturbing film is nowadays nothing much more than an interestingly provocative film. That is not to diminish the stature of the film, for it certainly remains the best thing that William Friedkin has done and a classic of its era and genre. It simply does not now have the utterly disturbing nature to warrant an R rating: I have seen far more disturbing films given an MA rating.
Since the film in its basic form has already been reviewed and the broad story has not changed in any way, if you wish to read a synopsis of the film and the performances contained therein, I suggest you read the earlier review. I certainly have no intention of rehashing those general comments since they remain basically unaltered. I also have no intention of detailing every mortal piece of restored footage either, for the simple reason that I don't see any great point in doing so. At the end of the day, I do not know the film that well and therefore would not be able to vouch for every inserted piece of footage anyway.
All I am really going to concern myself with is whether or not the restored footage results in a better or worse film, and to be very blunt I have to admit that I really do not believe that the extended version of the film is any great improvement over the original.
Certainly the added footage of the initial doctor's visit is appreciated as it makes more sense when in the later scene Regan asks what is wrong with her and Chris's reply refers to the visit. The spider walk footage however is less successful, especially as it only includes the walk down the stairs and does not include the bit where Regan chases Chris. That bit seems to have been replaced by a rather noticeable extended black scene change. Overall, it does not add anything to the film in my view and therefore is a pointless restoration. The revised opening sequence is a bit pointless until you hear William Friedkin's reasoning for the change and basically my reaction was "big deal".
At the end of the day, is the revised version an improvement? Not really and I would suggest that if you already own the original Special Edition, there is not much point in trading it in. If you don't own the film yet, then I suppose the choice gets down to whether you want a better extras package or an extended film. My vote is with the better extras package, so I would advise that you grab a hold of the Special Edition version if you see it.
The transfer is presented in an aspect ratio of 1.78:1, and it is 16x9 enhanced.
Whilst there are still some rather obvious problems with the transfer, most notably some rather grainy patches most especially during the second half of the transfer, the restoration has in general resulted in a sharp transfer with some rather nice definition. I continue to be impressed by the level of detail earlier on in the film and the attic scene remains a standout. The restored footage fits in very well to the film and really does not stand out as being "new". I would suspect that there has been no additional work done on the source material other than to include the extra footage and the overall result is very much in accordance with the restored original version of the film. Shadow detail is very good for a film of this age. Clarity is generally pretty good until the grain starts setting in. Overall, this remains a reasonably impressive transfer.
There is still no improvement in the colour palette on offer here and the nicely muted style of colour remains. This suits the film well and is quite believable. The only issue I really have with the colours is the fact that the blacks could perhaps have been a little more solid and even in tone, but that might be expecting too much in a film of this age. There is no problem with oversaturation in the colours at all, although there are some indications of colour bleed in the titles - nothing too serious though.
There did not appear to be any significant MPEG artefacts in the transfer. There remain some problems with minor film-to-video artefacts, with a number of instances of aliasing here and there. These tend to be more noticeable during the first half of the film, and examples can be found at 8:03, 17:48, 18:22 and 21:47. There is also an instance of wobble in the image at 101:48. This is not really noticeable at all and is not especially distracting to the film. There remains a suitably impressive lack of film artefacts in the transfer.
In the absence of noting any layer change during the programme, I would be tempted to suggest that this is a Dual Layer DVD. However, given the length of the film, I would suspect it is more of a question that I missed (sorry, failed to detect) the layer change.
Sharpness | |
Shadow Detail | |
Colour | |
Grain/Pixelization | |
Film-To-Video Artefacts | |
Film Artefacts | |
Overall |
Obviously with the Dolby Digital 5.1 EX soundtrack, this has been completely remastered and a more impressive sounding soundtrack it is as a result.
The dialogue was generally clear and easy to understand throughout, still bearing in mind that some sequences involving the possessed Regan are supposed to be very guttural and thus a little indistinct. There does not appear to be any problem with audio sync in the transfer.
The score is comprised of excerpts from relatively contemporary classical music by the likes of Krzysztof Penderecki and Hans Werner Henze, complemented by the originality of the well-known Mike Oldfield piece Tubular Bells. A most effective score, highlighted by now being able to hear the repeated Tubular Bells motif during parts of the film where it was previously not able to be heard.
The big improvement in the Dolby Digital 5.1 EX soundtrack is in better use of the surround channels: there is distinctly more ambient noise through the rear channels especially. I would imagine that if you have EX capability, you are in for something of a treat here. The overall soundtrack seems to be much more open and clear, with a more natural balance to it. The bass channel still does not get a lot of overt use, but the overall feel it gives to the soundtrack is again much more natural. The overall result is to provide a somewhat more spooky feel to the film at times as the sound effects are much more obvious in the overall mix.
Dialogue | |
Audio Sync | |
Clicks/Pops/Dropouts | |
Surround Channel Use | |
Subwoofer | |
Overall |
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
Video | |
Audio | |
Extras | |
Plot | |
Overall |
Review Equipment | |
DVD | Pioneer DV-515, using S-Video output |
Display | Sony Trinitron Wega (80cm). Calibrated with Video Essentials. This display device is 16x9 capable. |
Audio Decoder | Built in to amplifier/receiver. Calibrated with Video Essentials. |
Amplification | Yamaha RXV-795 |
Speakers | Energy Speakers: centre EXLC; left and right C-2; rears EXLR; and subwoofer ES-12XL |