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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
Fun and Fancy Free (1947)

Fun and Fancy Free (1947)

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Released 18-Nov-2003

Cover Art

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Details At A Glance

General Extras
Category Family Featurette-Behind The Scenes-The Story Behind Fun And Fancy Free (14:57)
Rating Rated G
Year Of Production 1947
Running Time 70:16
RSDL / Flipper No/No Cast & Crew
Start Up Language Select Then Menu
Region Coding 2,4 Directed By Jack Kinney
Hamilton Luske
Bill Roberts
Studio
Distributor
Disney
Walt Disney Studios Home Ent.
Starring Homer Brightman
Eldon Dedini
Sinclair Lewis
Lance Nolley
Tom Oreb
Harry Reeves
Ted Sears
Edgar Bergen
Walt Disney
Cliff Edwards
Billy Gilbert
Anita Gordon
Clarence Nash
Case Amaray-Transparent-Secure Clip
RPI $29.95 Music Eliot Daniel
Paul Smith
Oliver Wallace


Video Audio
Pan & Scan/Full Frame Full Frame English Dolby Digital 5.1 (384Kb/s)
German Dolby Digital 5.1 (384Kb/s)
Widescreen Aspect Ratio None
16x9 Enhancement No
Video Format 576i (PAL)
Original Aspect Ratio 1.37:1 Miscellaneous
Jacket Pictures No
Subtitles English
English for the Hearing Impaired
French
Italian
German
Spanish
German Titling
Smoking No
Annoying Product Placement No
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    If you look at the history of Disney's animated feature films over the years, you can readily see a pattern indicative of maximising the value of that vault of work in the marketplace. This is obvious in two ways: firstly the periodic theatrical re-release of the films to bring them to a new generation of children, and secondly the limited release to home video before being placed on moratorium for up to a decade. I never fail to emphasise the dollar grabbing activities of Disney, but you can hardly blame them for doing what they do. After all, it is incumbent upon all businesses to garner a client base and service that client base. Most companies are not quite so blatant about it as Disney, but the end result is the same: we keep on forking out our dollars to buy the new version, be it video, DVD or car. Now where the blatant nature of this corporate philosophy falls down of course is with respect of the anthology films that Disney made during the 1940's. Made as cheaply as possible in order to make as much money as possible to partly compensate for the lack of overall profit from the first five animated features, you would have been hard-pressed to ever see these on the big screen after their initial release and almost as unlikely to have seen them on home video.

    The unkind would suggest that this was due to the fact that they were so bad that you would not want to see them anyway. Whilst there is actually a grain of truth in that regarding some of the anthology films (Saludos Amigos and The Three Caballeros notably), the fact is that there is one that is well worth seeing. That is of course the subject of the current review: Fun And Fancy Free. Of all the anthology releases, this is the one that you are most likely to have seen, at least in part. That is because the second short in the anthology is rather well known - featuring as it does the tale of Jack and the Beanstalk and starring Mickey Mouse, Donald Duck, Goofy and Jiminy Cricket. It is the only animated short to feature these four characters together, and I have certainly seen it many times before. This I cannot say for any other of the shorts making up the four anthology films thus far reviewed.

    The two animated shorts making up this film, which is hosted by Jiminy Cricket, are:

    Fun And Fancy Free probably scores more in the enjoyment stakes because it is far less disjointed than the other anthology films as a result of having two fairly lengthy shorts that on their own stand up well as stories. Being a little bit younger than Saludos Amigos and The Three Caballeros also means that the Disney company had developed a better style when approaching the anthology film concept. Overall, if you need to check out just one of these features, then this is probably the one to go for.

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Transfer Quality

Video

    The transfer is presented in a Full Frame format and it is not 16x9 enhanced.

    The transfer features very decent sharpness, with the live action action stuff very much better than that - which I did find a little surprising. Definition is very good overall, and much better than anticipated. The transfer is relatively free of grain, which certainly aids the overall clarity of the transfer. Shadow detail in the live action stuff is surprisingly good too.

    The colours come up very well here, with the live action material being very well saturated with deep rich tones to the fore. The live action material is quite vibrant too, although this is not really carried over to the animation which is just a little on the flat side at times. Thankfully, there are no oversaturation problems in the transfer and colour bleed is noticeably absent. There is a very good consistency to the colour, too.

    There are no MPEG artefacts in the transfer. There are no obvious film-to-video artefacts in the transfer. This time, the film artefacts are very much reduced and this is by far and away the best looking of the four anthology films seen so far. Indeed, apart from the odd speck here and there, this is a relatively clean transfer in most respects.

    This is a single sided, single layered DVD so there is no layer change to contend with.

    There are seven subtitle options on the DVD, although my sampling was restricted to the English and English For The Hearing Impaired efforts. There did not seem to be anything awry with them.

Video Ratings Summary
Sharpness
Shadow Detail
Colour
Grain/Pixelization
Film-To-Video Artefacts
Film Artefacts
Overall

Audio

    There are two soundtracks on the DVD, being an English Dolby Digital 5.1 soundtrack and a German Dolby Digital 5.1 soundtrack. Cue the obligatory rant about a six channel soundtrack in place the original mono soundtrack. In this instance, there is a load of space available on the disc for at least one simple little mono soundtrack.

    Mind you the six channel soundtrack is not exactly a great example of the art of six channel mastering.

    The dialogue comes up well in the transfer and it was very easy to understand. There is of course the usual animation sync issues, but there is no problem with the audio sync in the live action sequences.

    The original music score was contributed by Paul Smith, Oliver Wallace and Eliot Daniel. Nothing overly memorable in any way, but at least the shorts are well served by the contributions made by the score.

    Whilst this features a bit more body to the sound, the soundtrack still does not exactly bring to mind great moments in the art of six channel recording and mastering. There remains no obvious contribution from the rear channels in the soundtrack, and very little if any contribution from the front surround channels. Whilst this is definitely not a mono sounding effort, it also is not to be confused with something with genuine surround encoding. There is nothing in the way of blemishes in the soundtrack.

Audio Ratings Summary
Dialogue
Audio Sync
Clicks/Pops/Dropouts
Surround Channel Use
Subwoofer
Overall

Extras

   The extras package is not exactly bursting with a ton of stuff, interesting or otherwise.

Menu

   Another bright and colourful effort that is again perversely in widescreen and 16x9 enhanced to boot.

Featurette - The Story Behind Fun And Fancy Free (14:57)

   Aside from the fact that it is way too short, this is a reasonably interesting effort that takes a brief look at the gestation of the two concepts that wound up as the two shorts in the film. Interesting as it includes contributions from Walt Kimball and Joe Grant, contributors to many Disney animated features. There is some interesting stuff included here, notably the test recordings for Willie The Giant, and some genuine nuggets of information. To give some indication of the gestation of the stories, the story for Bongo was actually finished the day after Pearl Harbor yet had to wait several more years before being turned into a film. The presentation is Full Frame format, it is not 16x9 enhanced and features good Dolby Digital 2.0 sound. Unfortunately, there are some film artefacts to be found here (an understatement) whilst a touch of aliasing is also to be found.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    It would appear that the Region 1 release features the following additional material:

    In addition it does feature the original mono soundtrack. Whilst none of the additional extras sounds especially wonderful, their presence along with the original mono soundtrack ensures that Region 1 is the way to go.

Summary

    The general quality of the anthology features is not that great in the overall animated feature canon of Disney, but Fun And Fancy Free is certainly the exception to the rule. Aside from a much better technical quality, the ninth animated feature has two genuinely entertaining stories. Of all the anthology films reviewed thus far, this is the one to get.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Ian Morris (Biological imperfection run amok)
Saturday, December 06, 2003
Review Equipment
DVDPioneer DV-515, using S-Video output
DisplaySony Trinitron Wega (80cm). Calibrated with Video Essentials. This display device is 16x9 capable.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with Video Essentials.
AmplificationYamaha RXV-795
SpeakersEnergy Speakers: centre EXLC; left and right C-2; rears EXLR; and subwoofer ES-12XL

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