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PLEASE NOTE: Michael D's is currently in READ ONLY MODE. Anything submitted will simply not be written to the database.
Lots of stuff is still broken, but at least reviews can now be looked up and read.
Big Chill, The: 15th Anniversary Collectors Ed (1983)

Big Chill, The: 15th Anniversary Collectors Ed (1983)

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Released 14-Sep-1999

Cover Art

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Details At A Glance

General Extras
Category Comedy Deleted Scenes
Featurette-The Big Chill - A Reunion (56 mins)
Filmographies-Cast & Crew
DVD Teaser Trailer-#2
Rating Rated M
Year Of Production 1983
Running Time 100:51
RSDL / Flipper RSDL (75:43) Cast & Crew
Start Up Menu
Region Coding 2,4 Directed By Lawrence Kasdan
Studio
Distributor

Sony Pictures Home Entertain
Starring Tom Berenger
Glenn Close
Jeff Goldblum
William Hurt
Kevin Kline
Mary Kay Place
Meg Tilly
Jobeth Williams
Case Brackley-Trans-No Lip
RPI $36.95 Music Meg Kasdan


Video Audio
Pan & Scan/Full Frame None English Dolby Digital 2.0 (192Kb/s)
English Dolby Digital 5.1 (384Kb/s)
French Dolby Digital 2.0 (192Kb/s)
German Dolby Digital 2.0 (192Kb/s)
Italian Dolby Digital 2.0 (192Kb/s)
Spanish Dolby Digital 2.0 (192Kb/s)
Widescreen Aspect Ratio 1.78:1
16x9 Enhancement
16x9 Enhanced
Video Format 576i (PAL)
Original Aspect Ratio 1.85:1 Miscellaneous
Jacket Pictures No
Subtitles English
French
German
Italian
Spanish
Dutch
Portuguese
Arabic
Czech
Danish
Finnish
Greek
Hebrew
Hindi
Hungarian
Icelandic
Norwegian
Polish
Swedish
Turkish
Smoking Yes
Annoying Product Placement No
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    A group of college friends from the sixties are brought back together by the suicide of one of their friends. They end up staying the weekend at the home of one of the couples, Sarah (Glenn Close - a doctor) and her husband Harold (Kevin Kline - a sports shoe retailer). During the course of the weekend after the funeral, they and their friends - Sam (Tom Berenger - an actor), Michael (Jeff Goldblum - sleazy reporter), Nick (William Hurt - drug dealer), Meg (Mary Kay Place - a lawyer) and Karen (Jobeth Williams - a housewife), together with the former girlfriend of their deceased friend, Chloe (Meg Tilly) relive lost times and examine their lives in the real world after the idealism of their college days.

    From this very simple premise, director Lawrence Kasdan has woven a glorious tapestry of a film, filled with emotion, conflict and humour that is, quite frankly, one of the best films of the 1980's. This is an ensemble cast of the highest order and the quality of the performances are unexcelled. Accompanied by one of the most memorable soundtracks of movie history, made up completely of some of the great songs of the sixties and early seventies, this is a film that more than any other will define the work of Lawrence Kasdan.

    Beyond that of course, the film is also noteworthy for the fact that it also starred Kevin Costner as Alex (the suicidee). Only problem was that his role was cut out entirely from the film, so he only briefly appears as unrecognizable parts of the deceased's body.

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Transfer Quality

Video

    Remembering that this is now sixteen years old, it has to be said that Columbia TriStar have really done a superb job of restoring and remastering the print, such that the video oozes quality from the very start.

    The video transfer is presented at an aspect ratio of 1.78:1, 16x9 enhanced.

    In general, the transfer is very sharp indeed with some quite wonderful definition (check out the windscreen of the jeep reflecting the roadside details). Shadow detail was in general very good for the age of the film, although obviously this cannot compete with more recent films in this regard.

    Colours are in general very well rendered, giving a very natural look to the film. These are not artificially vibrant colours and some indeed may consider them a little muted, but you cannot argue with the overall consistency in the look of the film.

    There were no MPEG artefacts seen and video artefacts were restricted to some very, very minor aliasing which probably would not be noticed unless you were looking for it. Obviously for a film of this age we would expect film artefacts, and unfortunately these are present throughout the film. However they are not especially noticeable and at no time a distraction to the video.

    The disc is an RSDL disc, with the layer change at 75:43. Whilst it is noticeable, it is not especially disruptive to the film.

Audio

    This is a good audio transfer, if not an especially dynamic one.

    There are six soundtracks on the DVD. The default track is English Dolby Digital 2.0 surround-encoded, whilst the rest are: English Dolby Digital 5.1 soundtrack, French Dolby Digital 2.0 surround encoded, German Dolby Digital 2.0 surround encoded, Italian Dolby Digital 2.0 surround encoded and Spanish Dolby Digital 2.0 surround encoded. I listened to both the default English Dolby Digital 2.0 soundtrack and the Dolby Digital 5.1 soundtrack.

    Dialogue was clear and easy to understand at all times in both soundtracks, which is extremely important given the importance of dialogue to the film.

    There did not seem to be any audio sync problems at all with the transfers.

    There is no music score to the film, rather Meg Kasdan has compiled a rather delightful collection of some of the great songs of the sixties and early seventies. These do not bear direct relationships to the onscreen action usually, but are very appropriate to the general story line. This is one of the best such uses of contemporary songs that I have heard in a film, and it is surprising that it is not a style used more often.

    Despite the remastered 5.1 soundtrack, this is not an exceptionally well balanced nor detailed soundtrack. The rear surround channels are hardly used at all and most of the action comes out of the front and centre channels throughout, apart from the music.

    The subwoofer only comes into play during the music, and in my view there was a little too much bass in the mixing of the songs. This is a minor quibble only however, and represents the only essential difference between the Dolby Digital 5.1 soundtrack and the Dolby Digital 2.0 soundtrack.

Extras

    This is a collectors edition, being the fifteenth anniversary edition of the film, so we have a little bit extra in the extras department (the puns get no better!).

(Editor's Note: The packaging lists the original theatrical trailer as an extra on this disc. It is not present on the disc.)

Menu

    A fairly standard Columbia TriStar menu, lacking any animation or audio. It is not 16x9 enhanced.

Deleted Scenes

   5 scenes totalling over 9 minutes, these are of good quality, presented in 1.78:1 aspect ratio although not 16x9 enhanced, with Dolby Digital 2.0 sound. They are presented with a choice of German, French, Dutch, Spanish or Italian subtitles (which also apply to the documentary). These mainly represent additional scenes before the funeral service, but interestingly do not include any of the (original ending) Kevin Costner scenes that were deleted after studio test viewings. They do not necessarily add anything to the film, but present a nice alternative opening to the film if you like.

Documentary - "The Big Chill - A Reunion"

    This is a very interesting 56 minute return to the making of the film, featuring interviews with the director and all cast members. Presented full frame (with film excerpts at 1.78:1 ratio) with Dolby Digital 2.0 sound, this is a very nice encapsulation of the gestation of the film, the way the film was produced, the antics of the cast off set and why the Kevin Costner ending was deleted. This really enhances the film.

Filmographies

    Unremarkable filmographies for the main cast members and Lawrence Kasdan.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

        The Region 4 release misses out on a theatrical trailer (but this is reportedly not of "The Big Chill" but rather "Silverado"). Apart from that there does not appear to be any difference between the Region 1 and Region 4 releases, apart from the superior resolution of the PAL system, making Region 4 the way to go in my view, unless you really, really need the theatrical trailer.

Summary

    Overall, a wonderful transfer of a classic film that should be in every collection.

    A wonderfully remastered video transfer, marred only by minor film artefacts which are to be expected in a film of this age.

    A good quality audio transfer, especially of the essential music that aids the film no end.

    A particularly good collection of extras that adds much to the overall pleasure of the disc.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Ian Morris (Biological imperfection run amok)
Sunday, September 05, 1999
Review Equipment
DVDPioneer DV-515, using S-Video output
DisplaySony Trinitron Wega (80cm). Calibrated with Video Essentials. This display device is 16x9 capable.
Audio DecoderBuilt in to amplifier/receiver. Calibrated with Video Essentials.
AmplificationYamaha RXV-795
SpeakersEnergy Speakers: centre EXLC; left and right C-2; rears EXLR; and subwoofer ES-12XL

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